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https://w.atwiki.jp/sevenlives/pages/891.html
HTML5 読み：えいちてぃーえむえる ふぁいぶ 英語：HTML5 別名： 意味： HTML5とは、HTML 4.01に続く新たなHTMLバージョンのこと。 Webの進化と共に、HTMLにはリッチアプリケーションなど新たな機能の需要が高まってきました。 そのためW3Cには今まで推進してきた文書を構造で処理しやすいXHTML化に加え高機能化まで求められるようになってきました。 しかし一向に普及しない厳密なXHTML 1.1に対し、もう少し妥協して高機能化を追加させたほうが現実的と考えた団体が、HTMLをバージョンアップすることでいきなりXHTMLほど厳密で複雑な仕様にせず新たな拡張機能を取り込むことという方向で策定していきました。 HTML5の仕様はWHATWGという団体が主導で行っていましたが、混乱を避けるため現在はW3Cの団体と共に仕様の策定に取り組んでいます。 終了したHTMLを再開させたためにXHTMLへの移行を取りやめた、もしくは仕様が分裂したと噂されたこともありましたが、最終的には一本化の方向を目指して行くようです。 HTML5はXHTML5としても活用できるように厳密なXHTMLに対し折衝するような案が盛り込まれています。また互換性にかなり重点が置かれているためブラウザごとの実装や過去のブラウザにも対応できるような柔軟性を持っています。 2018年06月09日 WHATWG Web Forms 2.0? Web Applications 1.0? W3C DOM HTML WG? HTML HTMLシンタックス? XHTMLシンタックス? オープン・ウェブ セマンティクス CSS セクション アウトライン カスタムデータ属性? Microdata Microformats Web Workers Web Storage? Indexed Database API Web SQL Database File API Drag and Drop API? Server-Sent Events? WebSocket CanvasHTML Canvas 2D Context? SVG OpenGL Application cache Geolocation API? クロス・ドキュメント・メッセージング? Selectors API? History API? contentEditable? AMP コンテンツ・モデル? メタデータ・コンテンツ? ヘッディング・コンテンツ? フロー・コンテンツ? セクショニング・コンテンツ? フレージング・コンテンツ? エンベッディド・コンテンツ? インタラクティブ・コンテンツ? ■ HTMLタグ video/audio要素? canvas セクション要素?article? section? menu? hgroup? aside? nav? header? footer? フォーム要素(Forms)? audio video source? amp要素?
https://w.atwiki.jp/laiserpoiter/pages/2.html
Auch in anderen Bereichen eine leistungsfähige Laser könnte einen großen Unterschied machen. Beispielsweise im medizinischen Bereich. Ob in der Biologie, Chemie oder Physik. Aber auf einem Schrottplatz. Mit einem laserpointer Stärkste , Sie ein Auto mit chirurgischer Präzision zu zerstören könnten. Es gibt so viele Möglichkeiten, um zu erfinden. Und wir sind nur sprechen von einem Laser, der durch Materialien verbrennen könnte .. Drahtlose Energielaser Was man von einem Laserstrahl, die anrufen können Sie Ihre Energie zu denken. Unmöglich sagen Sie? Error! Es wurde sogar getestet. Ein Laserstrahl kann ein Flugzeug, so viel wie halten zwei Tage in der Luft sein. Irgendwann wird es so sein. Es ist nur eine Frage der Zeit. Schließlich glaubte man nicht, dass Laser-Augen nicht möglich wäre? Die Zukunft von laserpointer disco sieht gut aus. Aber die Gegenwart ist nicht schlecht. Da können Sie Ihre eigenen laserklasse 4 kaufen für den Preis von einem Essen zu kaufen. Das ist natürlich nicht falsch. Es bleibt abzuwarten, was die Zukunft uns bringen wird. Es wird unsere kühnsten Träume übertreffen, ist eigentlich wahrscheinlich. starker laserpointer 2000mw blau Wählen Sie einen grünen Laser-Feder Bisher gab es nur rote Laser zur Verfügung. Das ist nicht mehr der Fall ist. Inzwischen gibt es Laser-Stifte in verschiedenen Farben wie rot, violett und grün. Die grünen Laser sind beliebter denn je. Dies hat viele Gründe. Bei Fußballvereine und Sie mehr und mehr grüne Laser zu sehen. Zu viel Licht-Shows mit grünen Lasern geschehen. Menschen entscheiden sich für grüne Laser, denn diese sind in der Regel viel heller als rote Laser. Wenn Sie einen roten und grünen Laser mit der gleichen Kraft bewegen sich einander gegenüber haben, dann werden Sie schnell feststellen, dass der grüne stärkste laserpointer kaufen ist viel heller. Dies liegt daran, dass die Augen sind empfindlicher gegenüber grünem als für rotes Licht. Ein grüner dj laserpointer ist daher nicht stärker als ein roter Laser. Grüne Laser-Stifte sind stark und hellen Laser-Stifte. Mit einem grünen Laser-Pointer kann einfach scheinen Kilometer entfernt. Sie werden noch sehen, eine klare ray. Grüne Laser-Stifte von hoher Qualität Die Laser-Stifte, die aus Laser-Lamp.nl verfügbar sind, kommen von professionellen Fabriken. Die Fabriken produzieren nur Laser-Stifte von hoher Qualität. Wenn Sie eine grüne Laser-Feder von uns kaufen, als wir garantieren, dass Sie einen Stift mit einer Top-Qualität zu kaufen zu einem fairen Preis. Fünf tolle Unternehmungen mit einem Laser-Stift zu tun Wie das alte Sprichwort sagt Sicherheit an erster Stelle. Das gilt insbesondere bei der Verwendung von Laserlicht. Diese Lichtquellen sind ein Vielfaches stärker als eine Glühbirne und deshalb gefährlich. Sie werden dich nicht verbrennen oder noch schlimmer, wenn ein laserpointer selber bauen ist an Ihnen zeigen, aber Laser-Licht in deinen Augen ist wirklich schädlich. Man kann nie zu sicher sein. Nun, das ist aus dem Weg, haben wir fünf coole Dinge, die Sie mit einem Laserpointer in einer Reihe zu tun. Sollten Sie jemals eine Präsentation geben? Achten Sie darauf, nicht zu wandern weiß Publikum, sondern ihre Aufmerksamkeit voll und ganz auf Sie konzentrieren. Nur indem er auf sie mit einem Laser-Stift wichtige Informationen. Es ist so speziell, dass niemand wagt es, weg von der Informationen, die Sie benennen zu suchen. Sie erreichen Ihre Ziele auf effektive und unterhaltsame Art und Weise. laserpointer 2000mw blau Hunde und Katzen verrückt, wenn sie ein Laserlicht zu sehen. Sie finden es einfach fantastisch! Spielen Sie mit Ihrem Hund oder Katze. Einmal das Laserlicht an der Decke und dann die Nase des Hundes oder einer Katze. Sie werden nicht wissen, wo es zu suchen. Stellen Sie sicher, dass Sie scheint nie Laserlicht in den Augen der Ihr geliebtes Haustier. Sterne beobachten Erfahrung mit einem Laser-Stift. Sie können einen stärksten laserpointer in der Tat nutzen die Sterne sehr genau zu identifizieren. Probier es aus. Sie laspern wirklich beispiellosen Abstand erreicht. Sonder zu sehen. Fast so besonders wie der sternenklaren Nacht. Heute, insbesondere in den Bereichen Bildung verwendet laserpointer katze . Tatsächlich ist es unheimlich bequem für bestimmte Dinge dazu beitragen, zu identifizieren oder zu bestimmen. Es ist viel einfacher, als ständig nach zu der Platte oder dem Bildschirm, um Punkt, an etwas mit dem finger gehen. Auch im Geschäft Laser-Stifte werden zunehmend als Standard-Ausrüstung. Wenn eine Präsentation ist ein Laserpointer, nachdem alle, kein Luxus. Ohne dass Sie Ihre Geschichte zu unterbrechen, können Sie mit Ihrer Präsentation fortzusetzen. Auch in der Unterhaltungs Sie sehen mehr und mehr Laser-Licht. Schauen Sie sich die Licht-Show jedes Konzert. In Ziggodome weitere Laser-Licht in einer halben Minute als im Rest der Niederlande in einem ganzen Jahr. Die Laser-Stifte verwendet werden, können offensichtlich sein. Aber die Zukunft ist noch offen. Mit einigen Anpassungen wäre wunderbar, Dinge passieren können. Was zu einer Laser dem Sie schnell und einfach Obst, Gemüse und Fleisch kann es geschnitten denken? Es wäre der ideale Ersatz für die Küche zu sein. Es ist auch viel sicherer. Sie können nicht geschnitten. Es sollte nur eine bestimmte Technik, in dem die laserpointer 532nm nicht durch menschliches Fleisch zu schneiden. Ansonsten ist es in der Tat erwartet eines Unfalls. Ist sicherlich bereits gearbeitet! "Ein Wiedergabelaserleistung ist nur eine Frage der Zeit."
https://w.atwiki.jp/mosakabe/pages/51.html
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https://w.atwiki.jp/mainichi-matome/pages/2216.html
BloggerCultures Traditions 関連ページ Blogger https //www.blogger.com/ Cultures Traditions http //cultrad.blogspot.com/ Cultures and Traditions have influence a lot of things people do. Some can be construction, others destructive. Weird or reasonable. ほとんどが"Asian Sex Gazzete"からの転載。題名も"Asian Sex Gazzete"のまま。 Japanese Authority's Clean up Hits Sexual Cabaret Club http //cultrad.blogspot.com/2008/02/japanese-authoritys-clean-up-hits.html "Cops pull plug on cabaret club serving pee on the rocks, plates of pubes" Japanese Authorities Okays The Sexual Abuse Of 18-20 Year Olds http //cultrad.blogspot.com/2008/02/japanese-authorities-okays-sexual-abuse.html "Aged 18-20? Been sexually abused by a parent?" Retired Porn Star Ai Iijima Cant Live Without Sex http //cultrad.blogspot.com/2007/09/retired-porn-star-ai-iijima-cant-live.html "Sex camel Ai Iijima whines about dry spell despite cosy link with Ni-Chaneru boss" Stressed Japanese Teachers Finding Solace In Coworkers, Parents and Even Students http //cultrad.blogspot.com/2007/05/stressed-japanese-teachers-finding.html "Stressed teachers indulging their wild sides with coworkers, parents -- and students" Gay Politician Ken Togo Makes Appeal On Politics, Freedom, And Sex http //cultrad.blogspot.com/2007/03/gay-politician-ken-togo-makes-appeal-on.html "Original 'Hard Gay' Ken Togo speaks on politics, freedom, and holding cocks" Why Japanese Guys Wont Give A Head http //cultrad.blogspot.com/2007/03/why-japanese-guys-wont-give-head.html Horny housewives heading off to Bangkok to grab a slice of the Thai life http //cultrad.blogspot.com/2007/02/horny-housewives-heading-off-to.html Japan Boot camp for hookers http //cultrad.blogspot.com/2006/11/japan-boot-camp-for-hookers.html "Three-week boot camp whips humped-out hookers back into shape" Japan's oldest profession sees slide in work ethic http //cultrad.blogspot.com/2006/11/japans-oldest-profession-sees-slide-in.html "World's oldest profession sees slide in work ethic" Deadly iku iku byo reaches a climax in Japan http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html Japanese Pageant winner a sex star http //cultrad.blogspot.com/2006/11/japanese-pageant-winner-sex-star.html "Hisako Shirata sheds sexy celluloid stardom for beauty queen future" Japan Surefire ways to lure the ladies http //cultrad.blogspot.com/2006/11/japan-surefire-ways-to-lure-ladies.html "Surefire ways to lure the ladies" DVD's teaching raunchy English snapped up in Japan http //cultrad.blogspot.com/2006/10/dvds-teaching-raunchy-english-snapped.html "English teaching DVDs get low down and dirty" Japanese women share the trials of a life without climax http //cultrad.blogspot.com/2006/10/japanese-women-share-trials-of-life.html "Four lusty lasses share the trials of a life without climax" Slutty schoolgirls and self-circumcisions All in a day's work for Japanese urologists http //cultrad.blogspot.com/2006/09/slutty-schoolgirls-and-self.html "Slutty schoolgirls and self-circumcisions" 関連ページ Aged 18-20? Been sexually abused by a parent? Blogger Cops pull plug on cabaret club serving pee on the rocks, plates of pubes Deadly 'iku iku byo' reaches a climax English teaching DVDs get low down and dirty Hisako Shirata sheds sexy celluloid stardom for beauty queen future Horny housewives heading off to Bangkok to grab a slice of the Thai life Slutty schoolgirls and self-circumcisions Stressed teachers indulging their wild sides with coworkers, parents -- and
https://w.atwiki.jp/mainichi-matome/pages/42.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 "Deadly 'iku iku byo' reaches a climax"「致命的な'イクイク病'は頂点に達している」 関連情報 拡散情報 関連ページ "Deadly 'iku iku byo' reaches a climax" 「致命的な'イクイク病'は頂点に達している」 2006年11月15日配信 元記事（削除済み)：http //mdn.mainichi-msn.co.jp/waiwai/archive/news/2006/11/20061115p2g00m0dm040000c.html 引用元：http //www.jref.com/forum/archive/index.php/t-28151.html Growing numbers of Japanese women are afflicted with an illness that gives them orgasms virtually 24 hours a day. And with suggestions that it could be deadly, the women hardly know whether they're coming or going, according to Shukan Post (11/24). 24時間オーガズムを感じ続ける病気に悩まされている女性の数が増えている。 週刊ポスト(11/24） によれば、それらの女性たちは自分がイキつつあるのかどうか判らなくなるほど致命的なことになる可能性もあるらしい。 "If a guy simply taps me on the shoulder, I just swoon. Even when I go to the toilet, my body reacts. I'm a little bit scared of myself," one woman sufferer tells Shukan Post. 「男性に単に肩を叩かされただけで、恍惚となるんです。トイレに行っただけでも体が反応するし。自分のことが少し怖くなる」と、ある女性は週刊ポストに語る。 Another adds "When I got on the train one day, I could feel blood gushing toward a certain part of my body and it felt so good I almost let out a moan. It was sheer murder when everybody got pushed into the carriage." 別の女性も言う。「ある日電車に乗ってたんですが、自分の体の特定の場所に向かって血液が奔流となって流れるのを感じました。凄く気持ちよくて思わず喘ぎそうになりました。 車両で皆に押されると死んじゃいそうでした」 Yet another woman has her say. またある女性も語る。 "Even the vibration of my mobile phone is enough to set me off," she says. "My friend said there's something called Iku Iku byo (Cum Cum Disease). I guess I've got that." 「私に火をつけるには携帯電話のバイブレーションだけで十分」と彼女は言う。 「友人はイクイク病（Cum Cum Disease)っていう病気があると言ってたんで私もそれじゃないかと思うんです」 What may be afflicting these women, the best-selling weekly says, is an ailment called persistent sexual arousal syndrome (PSAS). これらの女性を悩ませているのは、人気週刊誌によれば、持続性性喚起症候群（PSAS)という病気ではないかということだ。 PSAS has been described as an affliction that brings about orgasm through the slightest of jolts regardless of whether they're aroused, or even thinking about sex. What's more, orgasms experienced by PSAS sufferers are not just momentary phenomena, instead affecting women over anywhere from a few days to a week, with one reported case seeing 300 orgasms in a single day. PSASは患者が性的に興奮しているか、セックスのことを考えているかどうかとは関係なしに、わずかな刺激でオーガズムを引き起こす病気とされてきた。 さらにPSASの患者が経験するオーガズムは瞬間的な現象ではなく、数日間から一週間に渡ってどこにいても感じることができる。一日に300回オーガズムを感じたというケースも報告されている。 Awareness in Japan of PSAS -- which was first documented by Dr. Sandra Leiblum in the United States five years ago -- is growing, especially in the blogsphere, where it is being called Iku Iku byo. PSASは5年前にアメリカのSandra Leiblumによって初めて報告された病気だが、日本でもPSASに対する意識が高まりつつあるが、特にブログではそうで、イクイク病と呼ばれている。 Hideo Yamanaka, a doctor at the Toranomon Hibiya Clinic in Tokyo says the disease can be debilitating. 虎ノ門日比谷クリニック の山中秀男医師によると、この病気は女性を衰弱させる可能性があるそうだ。 "For women to orgasm, they need to have some sort of sexual stimulation. There are nerves around the female genitals which react to sexual stimulation. The body gradually builds up to a crescendo, that ascends to a climax," the doctor tells Shukan Post. "However, with this disease, women are mysteriously reaching climax without any external sexual stimulation at all. One possible cause that I can think of is an irregularity in the sensory nerves." 「女性にとってオーガズムを感じるには、何らかの性的な刺激が必要です。 女性器の周りには性的な刺激に反応する神経があります。 女性の体は徐々に興奮していき、頂点に達するものです」と医師は週刊ポストに語った。 「しかしながらこの病気にかかっていると、女性は外部からの性的刺激なしで神秘的に頂点に達するわけです。 感覚神経に異常があるのではないかと考えられます」 PSAS discover Leiblum says that the disease has a tendency to strike post-menopausal women in their 40s and 50s or those who've undergone hormonal treatment. But she adds that there have also been cases reported among women in their 30s, stressing that too little is known about the syndrome to pinpoint anything and adds that the nature of the ailment means that many sufferers may be too ashamed to report it. PSASを発見したLeiblum医師によれば、更年期前の40代から50代の女性、もしくはホルモン療法を受けている女性がこの病気にかかりやすい傾向があるとのこと。 30代の女性のケースもかなり報告されてきているが、この症候群については多くの患者が医者に話すことを恥じる性質の病気であるため、詳しいことはなにもわかっていないそうだ。 PSAS numbers in the U.S. are high enough for support groups to have popped up, suggesting it won't be too long before Japan sees the same. アメリカでのPSAS患者は支援団体が出来るほどに増えているが、近い将来日本でも同じようなじょうきょうになるだろう。 "Awareness levels are still too low," Jeannie Allen, the head of PSAS Support, tells Shukan Post. "I think there's a strong possibility that there are Japanese patients." 「この病気に対する認識はまだ非常に低いのです」と、PSAS支援団体の代表であるJeannie Allenは週刊ポストに語る。 「日本人の患者がもっといる可能性は強いと思います」 Manga artist Akira Narita, who says he has slept with over 1,000 different women, says he has come across some he believes may have had PSAS. 漫画家である成田アキラは1000人もの女性と寝たことがあると豪語しているが、PSASに罹患した女性に遭遇したことがあるという。 "There must have been about 15 who came without me doing a thing. We'd only need to stare in each other's eyes and they'd start wiggling about, gripping tightly onto whatever was around them and their bodies would start to shake. There were others who'd orgasm repeatedly just because I'd stroked their hands," the self-professed sexpert says. "I'd always thought of these women as types who got off in their minds, but I think perhaps they may have had PSAS." 「僕が何をしなくてもイった女性が15人くらいいましたね。 お互いに目を見つめあっただけで彼女たちは小刻みに動き始め、彼女たちの体の周りについているものを強く引っ張っただけで、体が震え始めるんです。 手を撫でただけで何度もオーガズムに達した女性たちもいましたね」と自称セックス専門家は言う。 「彼女たちは頭の中でオーガズムに達するタイプなのかと思ってましたが、多分PSASだったんでしょうね」 PSAS is not sex addiction and, considering the constant orgasms can be draining, can often be a painful and demeaning experience. Many sufferers are driven to the verge of suicide, prompting medical experts to recommend anybody who suspects they have the ailment to seek a doctor's advice immediately. PSASはセックス中毒ではなく、持続するオーガズムは精根を尽きさせ、しばしば苦痛であり屈辱的な経験となりえる。 多くの患者は自殺寸前に追い込まれることがあるため、医療の専門家はこの症候群にかかっていることが疑わしい場合はすぐに医師の診断を受けるようにと薦めている。 "Anybody who has the slightest suspicion," physician Yamanaka tells Shukan Post, "should get to a gynecologist or neurologist straight away." (By Ryann Connell) 「少しでも疑いをもったら、すぐに婦人科か神経科にいくべきです」と山中医師は週刊ポストに語っている。（ライアン・コネル） 訳文を送ってくださった方、ありがとうございます(by 管理人) 関連情報 こちらのページもぜひ読んでください。 病気を患う人を小ばかにする毎日新聞 『イクイク病』について この記事でイクイク病とされているものは本当は持続性性喚起症候群といい、イクイク病などではありません。 ウィキペディア より 『持続性性喚起症候群は、特発性かつ持続性の性的興奮を引き起こすが、オーガズムや性器の充血はあることもないこともあり、性欲とも関係がない。 特に、女子色情症（ニンフォマニア）や男子色情症（サチリアージス）として知られる色情症とはまったく関係がない。』 週刊ポスト(2006/11/24号） http //skygarden.shogakukan.co.jp/skygarden/owa/sol_magcode?sha=1 neoc=2005411106 keitai=0 虎ノ門・日比谷クリニック http //www7.ocn.ne.jp/~hibikuri/ 拡散情報 Asian Sex Gazzete http //www.asiansexgazette.com/asg/japan/japan06news13.htm Barely 18 Movies http //www.barely18movies.com/blog/?p=429 Japan Stippy http //www.stippy.com/japan-waiwai-archives/deadly-iku-iku-byo-reaches-a-climax/ Japundit http //blog.japundit.com/archives/2006/11/16/4174/ JREF http //www.jref.com/forum/archive/index.php/t-28151.html 英語サイト http //www.atheistnetwork.com/viewtopic.php?t=15720 http //belablack.com/2006/11/18/deadly-iku-iku-byo-reaches-a-climax/ http //bruneistudent.com/board/index.php?showtopic=35700 http //www.buzzlife.com/forums/showthread.php?p=2191701#post2191701 http //enart.dballastages.com/iku/iku-iku-byo-502014.htm http //discardedlies.com/entry/?23048_ http //doncasterhaikupoet.blog.co.uk/2006/12/19/japanese_cum_cum_disease~1455254 http //www.dragoon-networks.net/forum/showthread.php? t=3629 部分転載：http //www.drudge.com/archive/90899/retort-thursday-nooner#1515644 部分転載：http //www.dvorak.org/blog/?p=8033 部分転載；http //www.encircling.us/index.php?page=nov2006 部分転載；http //forum.eroplanet.com/viewtopic.php?t=3445 http //enart.gazages.com/iku/iku-iku-byo-502014.htm 部分転載：http //gloriabrame.typepad.com/inside_the_mind_of_gloria/2006/11/iku_iku_byo_bs.html 部分転載：http //www.houston-imports.com/forums/showthread.php?t=345537 http //enart.investmentpany.com/iku/iku-iku-byo-502014.htm http //www.606studios.com/bendisboard/showthread.php?t=93458 http //www.mail-archive.com/wryting-l@listserv.wvu.edu/msg02797.html http //enart.mercebank.com/iku/iku-iku-byo-502014.htm http //enart.mercialleasing.com/iku/iku-iku-byo-502014.htm 部分転載：http //www.moonbuggy.org/archive/2006/12/12/deadly-iku-iku-byo-reaches-a-climax/ http //www.peoplesrepublicofcork.com/forums/showthread.php?t=87918 http //enart.printingpany.com/iku/iku-iku-byo-502014.htm http //www.punterslounge.com/forum/f25/iku-iku-byo-strange-sex-disease-38566/ http //forum.scanlover.com/archive/index.php/t-10052.html http //forum.scanlover.com/archive/index.php/t-8469.html http //www.shaman-australis.com/forum/index.php?showtopic=12340 部分転載：http //skirmisher.org/human-sexuality/japanese-women-afflicted-with-deadly-24-hour-orgasms/ http //yanai.blackmage.org/sky2/?p=1925 http //www.soompi.com/forums/index.php?showtopic=96632 http //www.squaregamer.com/forum/viewtopic.php?t=1637 部分転載：http //www.thatsjustnotright.com/forum/index.php?showtopic=20763 部分転載：http //www.tribalwar.com/forums/showthread.php?t=461065 http //www.truepunk.com/Forum/viewtopic.php?t=30516 部分転載；http //www.trulyunusual.com/wards/showthread.php?t=6378 http //forum.wgaul.com/showpost.php?p=2741939 部分転載：http //news.3yen.com/2006-11-16/orgasmatronic-247-japanese-women/ ベトナム語サイト http //www.bacbaphi.com.vn/entertainment/showthread.php?p=2783190#post2783190 http //bloggioitinh.com/2008/10/26/“iku-iku-byo”-can-bệnh-tinh-dục-kho-hiểu-tại-nhật/ ｈｔｔｐ //s14.invisionfree.com/Nstyle_Entertainment/index.php?showtopic=598 http //www.shopnguoilon.vn/kienthuc/benh-kin/2008/07/426.snl http //www.svko.jp/index.php?option=com_content task=view id=2393 http //vysa.jp/index.php?option=com_content task=view id=897 Itemid=93 ドイツ語サイト http //www.maclan.ch/forum/thread.php?postid=6414#post6414 Cultures & Traditions http //cultrad.blogspot.com/2006/11/deadly-iku-iku-byo-reaches-climax-in.html jrocknyc 部分転載：http //jrocknyc.blogspot.com/2006/12/transvestite-troubadour-sucker-for_10.html Blogger：その他 http //carondeletstreet.blogspot.com/2006/11/there-are-worse-conditions-to-have.html 部分転載：http //gathara.blogspot.com/2006/11/persistent-sexual-arousal-syndrome.html http //maridirhye.blogspot.com/2007/03/sindromi-strane.html Blogger 部分転載：http //chanweiyee.blogspot.com/2006/11/persistent-sexual-arousal-syndrome.html 部分転載：http //gssq.blogspot.com/2006/12/i-do-not-feel-obliged-to-believe-that_17.html 海外ブログ ｈｔｔｐ //cpyrexia.blog.friendster.com/2006/12/cum-cum-disease/ http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=3528245 blogID=194331290 http //blog.myspace.com/index.cfm?fuseaction=blog.view friendID=72155015 blogID=194747663 ｈｔｔｐ //blog.360.yahoo.com/blog-LhZWTrA8Yqqq.tDnS4bJyfp7iMo-?cq=1 p=67 イタリア語のブログ http //stewino.spaces.live.com/blog/cns!EDECD6225FA5846F!1572.entry スペイン語のブログ http //www.tauzero.org/2006/12/iku-iku-byo/ 関連ページ AsianIdols.Net Barely 18 Movies Blogger Blogger：その他 Cultures Traditions Japan Stippy Japundit JREF jrocknyc WaiWaiの記事を転載した英語サイト：B WaiWaiの記事を転載した英語サイト：D WaiWaiの記事を転載した英語サイト：E WaiWaiの記事を転載した英語サイト：G WaiWaiの記事を転載した英語サイト：H WaiWaiの記事を転載した英語サイト：I WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：T WaiWaiの記事を転載した英語サイト：数字 『イクイク病』について ビラのキャッチフレーズとコネル氏の記事との対応表(仮) ビラ作成のガイドライン 元記事一覧 毎日新聞英語版から配信された記事2006年 海外ブログに記事が及ぼした影響 英語版Wikipediaに記事が及ぼした影響 記事が及ぼした影響
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CHAPTER XIV UP CHAPTER XVI CHAPTER XV A Tempest in the School Teapot "What a splendid day!" said Anne, drawing a long breath. "Isn t it good just to be alive on a day like this? I pity the people who aren t born yet for missing it. They may have good days, of course, but they can never have this one. And it s splendider still to have such a lovely way to go to school by, isn t it?" "It s a lot nicer than going round by the road; that is so dusty and hot," said Diana practically, peeping into her dinner basket and mentally calculating if the three juicy, toothsome, raspberry tarts reposing there were divided among ten girls how many bites each girl would have. The little girls of Avonlea school always pooled their lunches, and to eat three raspberry tarts all alone or even to share them only with one s best chum would have forever and ever branded as "awful mean" the girl who did it. And yet, when the tarts were divided among ten girls you just got enough to tantalize you. The way Anne and Diana went to school WAS a pretty one. Anne thought those walks to and from school with Diana couldn t be improved upon even by imagination. Going around by the main road would have been so unromantic; but to go by Lover s Lane and Willowmere and Violet Vale and the Birch Path was romantic, if ever anything was. Lover s Lane opened out below the orchard at Green Gables and stretched far up into the woods to the end of the Cuthbert farm. It was the way by which the cows were taken to the back pasture and the wood hauled home in winter. Anne had named it Lover s Lane before she had been a month at Green Gables. "Not that lovers ever really walk there," she explained to Marilla, "but Diana and I are reading a perfectly magnificent book and there s a Lover s Lane in it. So we want to have one, too. And it s a very pretty name, don t you think? So romantic! We can t imagine the lovers into it, you know. I like that lane because you can think out loud there without people calling you crazy." Anne, starting out alone in the morning, went down Lover s Lane as far as the brook. Here Diana met her, and the two little girls went on up the lane under the leafy arch of maples--"maples are such sociable trees," said Anne; "they re always rustling and whispering to you"--until they came to a rustic bridge. Then they left the lane and walked through Mr. Barry s back field and past Willowmere. Beyond Willowmere came Violet Vale--a little green dimple in the shadow of Mr. Andrew Bell s big woods. "Of course there are no violets there now," Anne told Marilla, "but Diana says there are millions of them in spring. Oh, Marilla, can t you just imagine you see them? It actually takes away my breath. I named it Violet Vale. Diana says she never saw the beat of me for hitting on fancy names for places. It s nice to be clever at something, isn t it? But Diana named the Birch Path. She wanted to, so I let her; but I m sure I could have found something more poetical than plain Birch Path. Anybody can think of a name like that. But the Birch Path is one of the prettiest places in the world, Marilla." It was. Other people besides Anne thought so when they stumbled on it. It was a little narrow, twisting path, winding down over a long hill straight through Mr. Bell s woods, where the light came down sifted through so many emerald screens that it was as flawless as the heart of a diamond. It was fringed in all its length with slim young birches, white stemmed and lissom boughed; ferns and starflowers and wild lilies-of-the-valley and scarlet tufts of pigeonberries grew thickly along it; and always there was a delightful spiciness in the air and music of bird calls and the murmur and laugh of wood winds in the trees overhead. Now and then you might see a rabbit skipping across the road if you were quiet--which, with Anne and Diana, happened about once in a blue moon. Down in the valley the path came out to the main road and then it was just up the spruce hill to the school. The Avonlea school was a whitewashed building, low in the eaves and wide in the windows, furnished inside with comfortable substantial old-fashioned desks that opened and shut, and were carved all over their lids with the initials and hieroglyphics of three generations of school children. The schoolhouse was set back from the road and behind it was a dusky fir wood and a brook where all the children put their bottles of milk in the morning to keep cool and sweet until dinner hour. Marilla had seen Anne start off to school on the first day of September with many secret misgivings. Anne was such an odd girl. How would she get on with the other children? And how on earth would she ever manage to hold her tongue during school hours? Things went better than Marilla feared, however. Anne came home that evening in high spirits. "I think I m going to like school here," she announced. "I don t think much of the master, through. He s all the time curling his mustache and making eyes at Prissy Andrews. Prissy is grown up, you know. She s sixteen and she s studying for the entrance examination into Queen s Academy at Charlottetown next year. Tillie Boulter says the master is DEAD GONE on her. She s got a beautiful complexion and curly brown hair and she does it up so elegantly. She sits in the long seat at the back and he sits there, too, most of the time--to explain her lessons, he says. But Ruby Gillis says she saw him writing something on her slate and when Prissy read it she blushed as red as a beet and giggled; and Ruby Gillis says she doesn t believe it had anything to do with the lesson." "Anne Shirley, don t let me hear you talking about your teacher in that way again," said Marilla sharply. "You don t go to school to criticize the master. I guess he can teach YOU something, and it s your business to learn. And I want you to understand right off that you are not to come home telling tales about him. That is something I won t encourage. I hope you were a good girl." "Indeed I was," said Anne comfortably. "It wasn t so hard as you might imagine, either. I sit with Diana. Our seat is right by the window and we can look down to the Lake of Shining Waters. There are a lot of nice girls in school and we had scrumptious fun playing at dinnertime. It s so nice to have a lot of little girls to play with. But of course I like Diana best and always will. I ADORE Diana. I m dreadfully far behind the others. They re all in the fifth book and I m only in the fourth. I feel that it s kind of a disgrace. But there s not one of them has such an imagination as I have and I soon found that out. We had reading and geography and Canadian history and dictation today. Mr. Phillips said my spelling was disgraceful and he held up my slate so that everybody could see it, all marked over. I felt so mortified, Marilla; he might have been politer to a stranger, I think. Ruby Gillis gave me an apple and Sophia Sloane lent me a lovely pink card with `May I see you home? on it. I m to give it back to her tomorrow. And Tillie Boulter let me wear her bead ring all the afternoon. Can I have some of those pearl beads off the old pincushion in the garret to make myself a ring? And oh, Marilla, Jane Andrews told me that Minnie MacPherson told her that she heard Prissy Andrews tell Sara Gillis that I had a very pretty nose. Marilla, that is the first compliment I have ever had in my life and you can t imagine what a strange feeling it gave me. Marilla, have I really a pretty nose? I know you ll tell me the truth." "Your nose is well enough," said Marilla shortly. Secretly she thought Anne s nose was a remarkable pretty one; but she had no intention of telling her so. That was three weeks ago and all had gone smoothly so far. And now, this crisp September morning, Anne and Diana were tripping blithely down the Birch Path, two of the happiest little girls in Avonlea. "I guess Gilbert Blythe will be in school today," said Diana. "He s been visiting his cousins over in New Brunswick all summer and he only came home Saturday night. He s AW FLY handsome, Anne. And he teases the girls something terrible. He just torments our lives out." Diana s voice indicated that she rather liked having her life tormented out than not. "Gilbert Blythe?" said Anne. "Isn t his name that s written up on the porch wall with Julia Bell s and a big `Take Notice over them?" "Yes," said Diana, tossing her head, "but I m sure he doesn t like Julia Bell so very much. I ve heard him say he studied the multiplication table by her freckles." "Oh, don t speak about freckles to me," implored Anne. "It isn t delicate when I ve got so many. But I do think that writing take-notices up on the wall about the boys and girls is the silliest ever. I should just like to see anybody dare to write my name up with a boy s. Not, of course," she hastened to add, "that anybody would." Anne sighed. She didn t want her name written up. But it was a little humiliating to know that there was no danger of it. "Nonsense," said Diana, whose black eyes and glossy tresses had played such havoc with the hearts of Avonlea schoolboys that her name figured on the porch walls in half a dozen take-notices. "It s only meant as a joke. And don t you be too sure your name won t ever be written up. Charlie Sloane is DEAD GONE on you. He told his mother--his MOTHER, mind you--that you were the smartest girl in school. That s better than being good looking." "No, it isn t," said Anne, feminine to the core. "I d rather be pretty than clever. And I hate Charlie Sloane, I can t bear a boy with goggle eyes. If anyone wrote my name up with his I d never GET over it, Diana Barry. But it IS nice to keep head of your class." "You ll have Gilbert in your class after this," said Diana, "and he s used to being head of his class, I can tell you. He s only in the fourth book although he s nearly fourteen. Four years ago his father was sick and had to go out to Alberta for his health and Gilbert went with him. They were there three years and Gil didn t go to school hardly any until they came back. You won t find it so easy to keep head after this, Anne." "I m glad," said Anne quickly. "I couldn t really feel proud of keeping head of little boys and girls of just nine or ten. I got up yesterday spelling `ebullition. Josie Pye was head and, mind you, she peeped in her book. Mr. Phillips didn t see her--he was looking at Prissy Andrews--but I did. I just swept her a look of freezing scorn and she got as red as a beet and spelled it wrong after all." "Those Pye girls are cheats all round," said Diana indignantly, as they climbed the fence of the main road. "Gertie Pye actually went and put her milk bottle in my place in the brook yesterday. Did you ever? I don t speak to her now." When Mr. Phillips was in the back of the room hearing Prissy Andrews s Latin, Diana whispered to Anne, "That s Gilbert Blythe sitting right across the aisle from you, Anne. Just look at him and see if you don t think he s handsome." Anne looked accordingly. She had a good chance to do so, for the said Gilbert Blythe was absorbed in stealthily pinning the long yellow braid of Ruby Gillis, who sat in front of him, to the back of her seat. He was a tall boy, with curly brown hair, roguish hazel eyes, and a mouth twisted into a teasing smile. Presently Ruby Gillis started up to take a sum to the master; she fell back into her seat with a little shriek, believing that her hair was pulled out by the roots. Everybody looked at her and Mr. Phillips glared so sternly that Ruby began to cry. Gilbert had whisked the pin out of sight and was studying his history with the soberest face in the world; but when the commotion subsided he looked at Anne and winked with inexpressible drollery. "I think your Gilbert Blythe IS handsome," confided Anne to Diana, "but I think he s very bold. It isn t good manners to wink at a strange girl." But it was not until the afternoon that things really began to happen. Mr. Phillips was back in the corner explaining a problem in algebra to Prissy Andrews and the rest of the scholars were doing pretty much as they pleased eating green apples, whispering, drawing pictures on their slates, and driving crickets harnessed to strings, up and down aisle. Gilbert Blythe was trying to make Anne Shirley look at him and failing utterly, because Anne was at that moment totally oblivious not only to the very existence of Gilbert Blythe, but of every other scholar in Avonlea school itself. With her chin propped on her hands and her eyes fixed on the blue glimpse of the Lake of Shining Waters that the west window afforded, she was far away in a gorgeous dreamland hearing and seeing nothing save her own wonderful visions. Gilbert Blythe wasn t used to putting himself out to make a girl look at him and meeting with failure. She SHOULD look at him, that red-haired Shirley girl with the little pointed chin and the big eyes that weren t like the eyes of any other girl in Avonlea school. Gilbert reached across the aisle, picked up the end of Anne s long red braid, held it out at arm s length and said in a piercing whisper "Carrots! Carrots!" Then Anne looked at him with a vengeance! She did more than look. She sprang to her feet, her bright fancies fallen into cureless ruin. She flashed one indignant glance at Gilbert from eyes whose angry sparkle was swiftly quenched in equally angry tears. "You mean, hateful boy!" she exclaimed passionately. "How dare you!" And then--thwack! Anne had brought her slate down on Gilbert s head and cracked it--slate not head--clear across. Avonlea school always enjoyed a scene. This was an especially enjoyable one. Everybody said "Oh" in horrified delight. Diana gasped. Ruby Gillis, who was inclined to be hysterical, began to cry. Tommy Sloane let his team of crickets escape him altogether while he stared open-mouthed at the tableau. Mr. Phillips stalked down the aisle and laid his hand heavily on Anne s shoulder. "Anne Shirley, what does this mean?" he said angrily. Anne returned no answer. It was asking too much of flesh and blood to expect her to tell before the whole school that she had been called "carrots." Gilbert it was who spoke up stoutly. "It was my fault Mr. Phillips. I teased her." Mr. Phillips paid no heed to Gilbert. "I am sorry to see a pupil of mine displaying such a temper and such a vindictive spirit," he said in a solemn tone, as if the mere fact of being a pupil of his ought to root out all evil passions from the hearts of small imperfect mortals. "Anne, go and stand on the platform in front of the blackboard for the rest of the afternoon." Anne would have infinitely preferred a whipping to this punishment under which her sensitive spirit quivered as from a whiplash. With a white, set face she obeyed. Mr. Phillips took a chalk crayon and wrote on the blackboard above her head. "Ann Shirley has a very bad temper. Ann Shirley must learn to control her temper," and then read it out loud so that even the primer class, who couldn t read writing, should understand it. Anne stood there the rest of the afternoon with that legend above her. She did not cry or hang her head. Anger was still too hot in her heart for that and it sustained her amid all her agony of humiliation. With resentful eyes and passion-red cheeks she confronted alike Diana s sympathetic gaze and Charlie Sloane s indignant nods and Josie Pye s malicious smiles. As for Gilbert Blythe, she would not even look at him. She would NEVER look at him again! She would never speak to him!! When school was dismissed Anne marched out with her red head held high. Gilbert Blythe tried to intercept her at the porch door. "I m awfully sorry I made fun of your hair, Anne," he whispered contritely. "Honest I am. Don t be mad for keeps, now." Anne swept by disdainfully, without look or sign of hearing. "Oh how could you, Anne?" breathed Diana as they went down the road half reproachfully, half admiringly. Diana felt that SHE could never have resisted Gilbert s plea. "I shall never forgive Gilbert Blythe," said Anne firmly. "And Mr. Phillips spelled my name without an e, too. The iron has entered into my soul, Diana." Diana hadn t the least idea what Anne meant but she understood it was something terrible. "You mustn t mind Gilbert making fun of your hair," she said soothingly. "Why, he makes fun of all the girls. He laughs at mine because it s so black. He s called me a crow a dozen times; and I never heard him apologize for anything before, either." "There s a great deal of difference between being called a crow and being called carrots," said Anne with dignity. "Gilbert Blythe has hurt my feelings EXCRUCIATINGLY, Diana." It is possible the matter might have blown over without more excruciation if nothing else had happened. But when things begin to happen they are apt to keep on. Avonlea scholars often spent noon hour picking gum in Mr. Bell s spruce grove over the hill and across his big pasture field. From there they could keep an eye on Eben Wright s house, where the master boarded. When they saw Mr. Phillips emerging therefrom they ran for the schoolhouse; but the distance being about three times longer than Mr. Wright s lane they were very apt to arrive there, breathless and gasping, some three minutes too late. On the following day Mr. Phillips was seized with one of his spasmodic fits of reform and announced before going home to dinner, that he should expect to find all the scholars in their seats when he returned. Anyone who came in late would be punished. All the boys and some of the girls went to Mr. Bell s spruce grove as usual, fully intending to stay only long enough to "pick a chew." But spruce groves are seductive and yellow nuts of gum beguiling; they picked and loitered and strayed; and as usual the first thing that recalled them to a sense of the flight of time was Jimmy Glover shouting from the top of a patriarchal old spruce "Master s coming." The girls who were on the ground, started first and managed to reach the schoolhouse in time but without a second to spare. The boys, who had to wriggle hastily down from the trees, were later; and Anne, who had not been picking gum at all but was wandering happily in the far end of the grove, waist deep among the bracken, singing softly to herself, with a wreath of rice lilies on her hair as if she were some wild divinity of the shadowy places, was latest of all. Anne could run like a deer, however; run she did with the impish result that she overtook the boys at the door and was swept into the schoolhouse among them just as Mr. Phillips was in the act of hanging up his hat. Mr. Phillips s brief reforming energy was over; he didn t want the bother of punishing a dozen pupils; but it was necessary to do something to save his word, so he looked about for a scapegoat and found it in Anne, who had dropped into her seat, gasping for breath, with a forgotten lily wreath hanging askew over one ear and giving her a particularly rakish and disheveled appearance. "Anne Shirley, since you seem to be so fond of the boys company we shall indulge your taste for it this afternoon," he said sarcastically. "Take those flowers out of your hair and sit with Gilbert Blythe." The other boys snickered. Diana, turning pale with pity, plucked the wreath from Anne s hair and squeezed her hand. Anne stared at the master as if turned to stone. "Did you hear what I said, Anne?" queried Mr. Phillips sternly. "Yes, sir," said Anne slowly "but I didn t suppose you really meant it." "I assure you I did"--still with the sarcastic inflection which all the children, and Anne especially, hated. It flicked on the raw. "Obey me at once." For a moment Anne looked as if she meant to disobey. Then, realizing that there was no help for it, she rose haughtily, stepped across the aisle, sat down beside Gilbert Blythe, and buried her face in her arms on the desk. Ruby Gillis, who got a glimpse of it as it went down, told the others going home from school that she d "acksually never seen anything like it--it was so white, with awful little red spots in it." To Anne, this was as the end of all things. It was bad enough to be singled out for punishment from among a dozen equally guilty ones; it was worse still to be sent to sit with a boy, but that that boy should be Gilbert Blythe was heaping insult on injury to a degree utterly unbearable. Anne felt that she could not bear it and it would be of no use to try. Her whole being seethed with shame and anger and humiliation. At first the other scholars looked and whispered and giggled and nudged. But as Anne never lifted her head and as Gilbert worked fractions as if his whole soul was absorbed in them and them only, they soon returned to their own tasks and Anne was forgotten. When Mr. Phillips called the history class out Anne should have gone, but Anne did not move, and Mr. Phillips, who had been writing some verses "To Priscilla" before he called the class, was thinking about an obstinate rhyme still and never missed her. Once, when nobody was looking, Gilbert took from his desk a little pink candy heart with a gold motto on it, "You are sweet," and slipped it under the curve of Anne s arm. Whereupon Anne arose, took the pink heart gingerly between the tips of her fingers, dropped it on the floor, ground it to powder beneath her heel, and resumed her position without deigning to bestow a glance on Gilbert. When school went out Anne marched to her desk, ostentatiously took out everything therein, books and writing tablet, pen and ink, testament and arithmetic, and piled them neatly on her cracked slate. "What are you taking all those things home for, Anne?" Diana wanted to know, as soon as they were out on the road. She had not dared to ask the question before. "I am not coming back to school any more," said Anne. Diana gasped and stared at Anne to see if she meant it. "Will Marilla let you stay home?" she asked. "She ll have to," said Anne. "I ll NEVER go to school to that man again." "Oh, Anne!" Diana looked as if she were ready to cry. "I do think you re mean. What shall I do? Mr. Phillips will make me sit with that horrid Gertie Pye--I know he will because she is sitting alone. Do come back, Anne." "I d do almost anything in the world for you, Diana," said Anne sadly. "I d let myself be torn limb from limb if it would do you any good. But I can t do this, so please don t ask it. You harrow up my very soul." "Just think of all the fun you will miss," mourned Diana. "We are going to build the loveliest new house down by the brook; and we ll be playing ball next week and you ve never played ball, Anne. It s tremendously exciting. And we re going to learn a new song-- Jane Andrews is practicing it up now; and Alice Andrews is going to bring a new Pansy book next week and we re all going to read it out loud, chapter about, down by the brook. And you know you are so fond of reading out loud, Anne." Nothing moved Anne in the least. Her mind was made up. She would not go to school to Mr. Phillips again; she told Marilla so when she got home. "Nonsense," said Marilla. "It isn t nonsense at all," said Anne, gazing at Marilla with solemn, reproachful eyes. "Don t you understand, Marilla? I ve been insulted." "Insulted fiddlesticks! You ll go to school tomorrow as usual." "Oh, no." Anne shook her head gently. "I m not going back, Marilla. I ll learn my lessons at home and I ll be as good as I can be and hold my tongue all the time if it s possible at all. But I will not go back to school, I assure you." Marilla saw something remarkably like unyielding stubbornness looking out of Anne s small face. She understood that she would have trouble in overcoming it; but she re-solved wisely to say nothing more just then. "I ll run down and see Rachel about it this evening," she thought. "There s no use reasoning with Anne now. She s too worked up and I ve an idea she can be awful stubborn if she takes the notion. Far as I can make out from her story, Mr. Phillips has been carrying matters with a rather high hand. But it would never do to say so to her. I ll just talk it over with Rachel. She s sent ten children to school and she ought to know something about it. She ll have heard the whole story, too, by this time." Marilla found Mrs. Lynde knitting quilts as industriously and cheerfully as usual. "I suppose you know what I ve come about," she said, a little shamefacedly. Mrs. Rachel nodded. "About Anne s fuss in school, I reckon," she said. "Tillie Boulter was in on her way home from school and told me about it." "I don t know what to do with her," said Marilla. "She declares she won t go back to school. I never saw a child so worked up. I ve been expecting trouble ever since she started to school. I knew things were going too smooth to last. She s so high strung. What would you advise, Rachel?" "Well, since you ve asked my advice, Marilla," said Mrs. Lynde amiably--Mrs. Lynde dearly loved to be asked for advice--"I d just humor her a little at first, that s what I d do. It s my belief that Mr. Phillips was in the wrong. Of course, it doesn t do to say so to the children, you know. And of course he did right to punish her yesterday for giving way to temper. But today it was different. The others who were late should have been punished as well as Anne, that s what. And I don t believe in making the girls sit with the boys for punishment. It isn t modest. Tillie Boulter was real indignant. She took Anne s part right through and said all the scholars did too. Anne seems real popular among them, somehow. I never thought she d take with them so well." "Then you really think I d better let her stay home," said Marilla in amazement. "Yes. That is I wouldn t say school to her again until she said it herself. Depend upon it, Marilla, she ll cool off in a week or so and be ready enough to go back of her own accord, that s what, while, if you were to make her go back right off, dear knows what freak or tantrum she d take next and make more trouble than ever. The less fuss made the better, in my opinion. She won t miss much by not going to school, as far as THAT goes. Mr. Phillips isn t any good at all as a teacher. The order he keeps is scandalous, that s what, and he neglects the young fry and puts all his time on those big scholars he s getting ready for Queen s. He d never have got the school for another year if his uncle hadn t been a trustee--THE trustee, for he just leads the other two around by the nose, that s what. I declare, I don t know what education in this Island is coming to." Mrs. Rachel shook her head, as much as to say if she were only at the head of the educational system of the Province things would be much better managed. Marilla took Mrs. Rachel s advice and not another word was said to Anne about going back to school. She learned her lessons at home, did her chores, and played with Diana in the chilly purple autumn twilights; but when she met Gilbert Blythe on the road or encountered him in Sunday school she passed him by with an icy contempt that was no whit thawed by his evident desire to appease her. Even Diana s efforts as a peacemaker were of no avail. Anne had evidently made up her mind to hate Gilbert Blythe to the end of life. As much as she hated Gilbert, however, did she love Diana, with all the love of her passionate little heart, equally intense in its likes and dislikes. One evening Marilla, coming in from the orchard with a basket of apples, found Anne sitting along by the east window in the twilight, crying bitterly. "Whatever s the matter now, Anne?" she asked. "It s about Diana," sobbed Anne luxuriously. "I love Diana so, Marilla. I cannot ever live without her. But I know very well when we grow up that Diana will get married and go away and leave me. And oh, what shall I do? I hate her husband--I just hate him furiously. I ve been imagining it all out--the wedding and everything--Diana dressed in snowy garments, with a veil, and looking as beautiful and regal as a queen; and me the bridesmaid, with a lovely dress too, and puffed sleeves, but with a breaking heart hid beneath my smiling face. And then bidding Diana goodbye-e-e--" Here Anne broke down entirely and wept with increasing bitterness. Marilla turned quickly away to hide her twitching face; but it was no use; she collapsed on the nearest chair and burst into such a hearty and unusual peal of laughter that Matthew, crossing the yard outside, halted in amazement. When had he heard Marilla laugh like that before? "Well, Anne Shirley," said Marilla as soon as she could speak, "if you must borrow trouble, for pity s sake borrow it handier home. I should think you had an imagination, sure enough." CHAPTER XIV UP CHAPTER XVI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 24 51 (Tue)
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需要什么东西 你们不在日本学习日语，看日本的电视剧，电影。 你们要什么东西啊？ 比如说你们看过「蝉（せみ）」吗？ 在这里，请你们写要什么东西m(_ _)m ひさしぶりですね、かわいいももです。 -- かわいいもも (2006-05-16 11 32 36) ひとつ、お聞きしたいんですが、中国語での[八分袖、九分裤 -- かわいいもも (2006-05-16 11 34 32) ひとつ、お聞きしたいんですが、中国語での「八分袖、九分裤」は日本語で、どういいますか。「八分袖、九分裤」は袖の長さは 普通の袖の八分ぐらい、「九分裤」はズボンの足の長さは普通の九分ぐらいで、今の春や、秋の季節の体を涼しくするための服です。その服は中国でははやっている。言い方を教えてください！ -- かわいいもも (2006-05-16 11 39 08) 自分のコメントをもう一度編集できないようですね。 -- かわいいもも (2006-05-16 11 41 54) 八分袖は日本語でも八分袖（はちぶそで）といいます。また、九分裤は九部丈（きゅうぶたけ、くぶたけ）といいます。 -- 信太郎 (2006-05-18 22 22 07) 助かりました。どうもありがとうございました。：） -- かわいいもも (2006-05-19 10 01 41) 信太郎好，我想要一份标准的五十音，我的小册子上的有好几处错误 -- 长谷川拓海 (2006-05-30 19 28 26) 嗯，好的。我教你！ -- 信太郎 (2006-05-31 16 36 24) 在日本刷盘子的一月能赚上7000～8000RMB，我不信，看了一个网友说的资料，在日本刷盘子，一小时给650～700日元。折合RMB45～50.信太郎能告诉我具体情况吗 -- 长谷川拓海 (2006-06-01 18 01 35) 次ぎの言葉はどこが変なものがないですか。「再び～さんと出会うチャンスをいただいたのは縁というかなと思って、今度は．．．（注：女性語）ありがとうございます。」 -- かわいいもも (2006-06-02 13 58 21) つまり、中国語では、よく「 真是缘分阿」と言います。にほんごでは、どういいますか。また、「～かなと思います。」の「～かな」の後ろに「～と思う」が続くと自然ですか。最後に、「かな」は女性が使えますか。以上。ほんとにどうもありがとうございます。 -- かわいいもも (2006-06-02 14 02 39) 在日本打工一个小时1000日元左右吧~这是东京那里的物价~ -- 信太郎 (2006-06-04 18 34 22) 「～かな」は女性も使えますよ☆真是缘分阿は「縁（えん）」もしくは「運命（うんめい）」って言います！「～かなと思います」は自然ですよ☆ -- 信太郎 (2006-06-04 18 37 24) 信太郎真是好人。谢谢。 好人好梦哦。 -- かわいいもも (2006-06-05 16 54 19) 我不是好人啊~我是坏人 p -- 信太郎 (2006-06-06 16 23 52) また、お邪魔しますが、「しばらくですね」はよく言いますか？私の印象的に中国語の「好久不見」は「ご無沙汰しました」或いは「お久しぶりですね」の方がもっと普通なのですが、いったい、どっちのほうがよく使われてるのでしょうか。 -- かわいいもも (2006-06-13 22 15 15) 「しばらくですね」よりも「久しぶり」の方が使いますよ☆ -- 信太郎 (2006-06-16 13 43 58) ありがとうございます。 -- かわいいもも (2006-06-21 22 25 40) お久しぶりですね、お元気ですか。夏が来たね、虫も多くなってきたね。じゃ、虫にかまれた場合は、赤くなって腫れ、かゆくなるところは日本語でなんといいますか中国語では「被虫子咬了一个包」の「一个包」と言いますけど。 -- かわいいもも (2006-07-18 00 02 52) 元気です☆かゆくなるところ・・・。「虫刺され」って言います。虫にかまれた所とかｗ他には特別な言い方はないですよ☆ -- 信太郎 (2006-07-20 21 03 34) 虫刺されのほかに、つまり、虫指されたら、「こぶができた」とも言えるでしょうね？ -- かわいいもも (2006-07-22 22 30 44) こぶは、打たれてできたものだよ～ -- 信太郎 (2006-07-25 10 26 59) あっ、そうか、やっぱり、中国語の”包”は虫とか、蚊とか指されて残ったものにしても、人に打たれてできたものにしても、使えます。おもしろいですね。わかりました。ありがとうございました。 -- かわいいもも (2006-07-25 18 47 12) バイクは英語の意味のBIKEでないね、モーターバイクはバイクの省略ですか。自転車にエンジンがついているものは何と言いますか。 -- また、新しい質問 (2006-07-31 23 33 36) 自転車にエンジンがついてるもの・・・バイク☆だと思います！ -- 信太郎 (2006-08-05 12 20 43) Hi, my friend! 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第３幕 第１場 （城の庭園。一方には丈の高い城の建造物、もう片方には低い胸壁が連なり、見張り台で中断されている。背景には城門。岩がごろごろした高地とおぼしく、開口部を通して広々とした水平線が遠望される。全体が与える印象として、いかにも持ち主不在な感じであり、手入れがされておらず、ここそこで破損し、草ぼうぼうになっている。前景には、内側にトリスタンが横たわっており、大きな菩提樹の木陰の寝椅子の上で眠りながら、ぴくりともせずに五体を広げている。その枕元にはクルヴェナールが苦悩に満ちて、トリスタンの上にかがみこみ、注意深く寝息に聞き耳を立てている。幕が開くと、外から羊飼いの音楽が聞こえてきて、憧れに満ちて悲しげにシャルマイで吹き鳴らされる。・・・羊飼い本人が上半身を胸壁の上に出し、内側の様子を同情をもって見つめる。） 【羊飼い】 （静かに） クルヴェナール！おい！ なあ、クルヴェナールよ！ どうだい、親友！ （クルヴェナールは頭を少し彼のほうに向ける） あの方はまだ起きないのかい？ KURWENAL （悲しげに頭を振って） 起きるとすれば、 それは、もしかして、ただ単に 永久に別れを告げるためかも知れんな、 もちろんその前に、あの女医、 我らを助けられる、あのただ一人の方が 仮に現れなければだが・・・ まだ何も見えなかったか？ 海には船はまだいないか？ 【羊飼い】 別の調べが その時は聞こえるさ、 できるだけ思いっきり陽気なやつを吹くから。 でも正直に言えよ、 幼なじみだろ。 俺たちの殿様は一体どうしちゃったんだい？ KURWENAL そんなことは聞くんじゃない、 お前なんかには絶対わからないことさ。 しっかり見張ってくれ、 そして船が見えたら、 とびきり陽気で明るいやつを頼むぞ！ （羊飼いは向きを変え、手を眼の上にかざして海のほうを眺めやる） 【羊飼い】 さみしくって、がらあんとした海だ！ （シャルマイに口を当て、吹き鳴らしながら遠くへ去っていく） TRISTAN （身じろぎせず、くぐもった声で） 昔ながらの調べだ・・・ なぜ私を起こすのだ？ KURWENAL （驚きのあまり飛び上がって） ああ！ TRISTAN （眼を開き、少し頭の向きを変えながら） 私はどこにいるんだ？ KURWENAL ああ！この声！ あの方の声！ トリスタン！殿！ 我が勇士、我がトリスタン様！ TRISTAN （力を振り絞って） 私を呼んでいるのは誰だ？ KURWENAL やっとだ！やっと！ 命だ、おお、命だ！ 甘美なる命が、 我がトリスタン様に新しくつかわされたのだ！ TRISTAN （寝床の中でやや身をもたげ、弱々しく） クルヴェナール・・・お前か？ 私はどこにいた？ 今いるのはどこだ？ KURWENAL どこにいるですって？ 平和の中にです、安心自由の身ですぞ！ カレオールです、殿！ ご先祖の城を お見知りおきないとでも？ TRISTAN 私の先祖だと？ KURWENAL 見まわして御覧なさい！ TRISTAN 聞こえてくるのは何だ？ KURWENAL 羊飼いの調べを またお聞きになったのです、 丘の斜面で羊飼いは あなた様の家畜の番をしておるのですから。 TRISTAN 私の家畜だと？ KURWENAL 殿、そう申しましたぞ！ あなた様のものですとも、 この家も、屋敷も、お城も！ 大事な殿のために 忠実な領民が できうる限り、 家屋敷の面倒を見ておったのです、 それは、かつて我が勇者が、 遺産として、 廷臣と領民に与えたものですぞ。 その勇者が、すべてを捨て去って、 遠い国へと旅立っていったとき。 TRISTAN どこの国へだと？ KURWENAL おやおや！コーンウォールへですよ、 大胆に、喜びに充ちあふれて、 栄光と幸福と名誉を、 我が勇者トリスタンは そこで気高くも勝ち取ったではありませんか！ TRISTAN コーンウォールにいるのか？ KURWENAL ですから違います。カレオールですぞ！ TRISTAN どうやって来たのだ？ KURWENAL おやおや、これは！どうやって、ですと？ 馬に乗ってきたわけではありませぬぞ、 小舟でお連れ申しあげたのです。 だけど、その小舟までは この両肩に乗せてお運び申し上げました・・・ 我が肩幅は広いですからなあ。 そんなこんなで浜辺までお運び申し上げたのです。 今や殿はご帰還です、領地へのご帰還です、 正当な領地、 このふるさとの地で、 ご自身の牧場にいる喜びと なじみの陽の光に包まれていれば、 必ずやあなた様は死と傷から 癒されることでしょう。 （トリスタンの胸に顔をぴったり擦り寄せる） TRISTAN （やや沈黙した後に） そう思うのか？ 私はそうではないと思う。 だが、お前にそれを言うことはできない。 私が目覚めたところ・・・ そこに私はとどまってはいなかった。 だが、どこにとどまっていたかを、 お前に言うことはできない。 そこに太陽は見えなかったし、 景色も人々も見えなかった。 だが、私が見たものを、 お前に言うことはできない。 私がいたところ・・・ そこは、私が、かつて居て、 そしていずれまた旅立って行く、 世界を覆う夜につつまれた 広大な国。 たった一つの知識のみが、そこで 我々に与えられる・・・ しかし、その知識とは神々しくも永遠に続く 原初の忘却なのだ！ その忘却への予感はなぜ私から消え去った？ その代わり、憧れに満ちた警告、 とでも呼ぶべきものが、 私をなぜ新たに、 昼の光のもとに押しやったのだ？ ただひとつ私に残されたもの、 死の歓喜のおののきから生まれた 熱く燃えさかる愛情が、 光を見ろと私を駆り立てるが、 その光は欺くように明るい黄金色で、 なおも、あなた、イゾルデを照らしているのだ！ （クルヴェナールは、ぞっとした思いにとらえられて、頭を抱え込む。トリスタンは次第に高く身を起こす。） イゾルデはなおも 太陽の国にいる！ 昼の薄明かりの中にいるのだ、 なおもイゾルデは！ なんという憧れだろう！ なんという恋しさだろう！ あなたを見たい・・・ なんという切ない望みだろう！ バタンという音をたてて、 私の背中で、 死の扉がすでに一度 閉じられたのに、 今や広々と、 その扉は再び開けられている。 太陽の光線が、 それをこじ開けたのだ。 だからこそ、眼を明るく見開かされて、 私は夜から浮かび上がらねばならなかった・・ あのひとを探し、 あのひとを見るために。 あのひとを見出し、 あのひとのなかで一つになって、 死にゆき、 消え去っていく好機が、 トリスタンに恵まれたのだ。 おお！いまも 蒼ざめつつも恋しく、 昼の野蛮な衝動が 私の中に募ってくる。 どぎつく欺くように、 昼の天空は 私の脳を まやかしと妄想へとかきたてていく。 明かりに満ちた 呪われた昼よ！ とこしえに私の痛みを 見はろうというのか！ とこしえに燃えるのか、 この松明は！ 夜でさえも あのひとから私を追い払う松明は！ ああ、イゾルデ、 甘くやさしいひと！ いったいいつ、 いつ、ああ、いつになったら、 あなたは、この明りを消し、 私に幸せを告げてくださるのですか？ この光は・・・いつ消えるのですか？ （疲れ果て、静かに後ろに崩れゆきながら） 屋敷には、いつ夜が訪れるのですか？ KURWENAL （大きなショックを受け、意気阻喪していたが、 そこから身をふるい起すように） 私が、あなた様への忠誠のあまり、 逆らっていたお方を、 今はあなた様とともに、 恋い焦がれずにはおれません。 私の言をお信じください。 あの方に、 今日ここでお会いできますぞ。 あなた様をお慰めすることができるのです・・・ あの方さえ生きておられれば。 TRISTAN （とても弱々しく） いまだ光は消えなかった、 屋敷は、なおも夜にならなかった。 イゾルデは生き、目覚めている。 それゆえ、あのひとは私を夜から呼び起こしたのだ。 KURWENAL 生きておられるからこそ、 あなた様に希望がほほえむのです！ クルヴェナールのことを、さぞ馬鹿とお思いでしょうが 今日ばかりは、お叱りを受けることはありますまい。 死んだように、あなた様は 横たわっておられたのです・・・ あの卑劣なメロートが、 あなたを傷つけてからというもの。 かくも、たちの悪い傷を、 いかに治せばよいのか？ そこで愚かな私が 考えついたのは、 かつてモロルトによる 傷をふさいだ方、 その方ならば、メロートの武器につけられた 傷の痛みでさえ、やすやすと治してくれるだろう。 すぐさま最良の女医を 発見したというわけです！ だから私はコーンウォールに 人をつかわしました。 その忠実な男が 元気に海を越えて、 イゾルデ様をあなた様のもとに遣わすでしょう。 TRISTAN （我を忘れ） イゾルデが来る！ イゾルデが近づく！ （言葉を見つけようともがくように） おお、貞節な人、気高い人、 やさしく貞節な人！ （クルヴェナールを引き寄せ、抱擁しつつ） クルヴェナール、 無二の友！ 変わらぬ忠義な奴、 トリスタンはお前になんと礼を言えばよいのだ？ 私の楯、私の傘、 戦いと争いの日々にあって、 お前はいつも喜びと苦しみを 私と分かちあおうとしていたな！ 私が憎んだものを、 お前も憎んでくれたし、 私が心を寄せたものには、 お前も心を寄せてくれた。 あの善良なるマルケ王に、 私がまめまめしくお仕えしていた時には、 お前は王にとって、黄金にも勝る誠実な男だった！ 私が高貴なるあの方を 裏切らねばならなかった時には、 お前はやはりためらわず裏切ってくれた！ お前のためではなく、 ただ私のために・・・ そして私が苦しむ時には、 お前は共に苦しんでくれた・・・ ただ、私が苦しんでいるものを、 お前が苦しむことなどできるはずがない！ 私を傷つける この恐ろしいあこがれ、 私を燃やしつくす この切ない心の燃焼を、 何と名づけようが、 どうやってお前なぞにわかろうか？ こんなところにいるぐらいなら、 見張りに急いでくれ・・・ 五感を集中させ、 恋い焦がれつつ、ここかしこに 眼を澄まし、見張るのだ！ あのひとの帆がふくらみ、 追い風を受け、 私を見つけようと、 愛の衝動に燃え、 イゾルデが私のもとに向かってくるところを！ 近づく！近づく！ きびきびと急いで！ なびいてる！なびいてる！ マストに、あの旗が！ 船だぞ！船だ！ あの岩場のわきをかすめてゆく！ 見えないのか？ （激しく） クルヴェナール、お前には見えないのか？ （クルヴェナールは、トリスタンのもとを離れられないので、しばしためらっていたが、緊張した沈黙のうちにトリスタンを見つめたとき、幕の最初と同様に、羊飼いの奏でる嘆くような旋律が、近づくように、また遠ざかるように鳴り響きだす。） KURWENAL （意気消沈して） まだ船は見えません！ TRISTAN （失せゆく興奮とともに耳を澄ましていたが、 募りゆく憂愁とともに、語り始める） そのように受け止めねばならぬのか、 おまえ、嘆きの音調にみちた、 昔ながらのそっけない調べよ。 夕方の風をとおして、 あの調べが切なく胸に迫ってきたのは、 かつて子供に、 父の死が告げ知らされたとき・・・ 朝の暗がりをとおして、 ますます切なく迫ってきたのは、 息子が 母の運命を聞き知ったとき・・・ 父が私という一粒種を残して死んだとき、 母は死の床で私を産んだ。 昔ながらの調べは、 あこがれにみちて切なく、 父母のもとにも 嘆きつつ迫ってきたことだろう。 そして、私にかつて問いかけたように、 今も問いかける・・・ いかなる運命にさだめられ、 あの日お前は生まれてきたのか、と。 いかなる運命に？ 昔ながらの調べは、 私にこう繰り返す、 あこがれるのだ・・・そして死ぬのだ、と！ いいや、違う！ そんなことは言ってない！ あこがれるのだ！あこがれるのだ！ 死にながらもあこがれるのであって、 あこがれのために死ぬのではない！ 決して死ぬことのないあの調べが、 あこがれながら 死の安らぎを求めて、 かなたの女医に呼びかけているのだ・・・ 死に瀕して口もきけず、 私は小舟に横たわっていた。 傷口からの毒は、 心臓のすぐ近くまで来ていたが、 あこがれを訴えるように、 あの調べは鳴り響いた。 アイルランドの娘のもとへ、 風は帆をはらませた。 あのひとが、治して 閉じてくれた傷、 それをあのひとは剣でもって、 ふたたび切り裂いた。 だがその剣を・・・ あのひとは落してしまった。 あのひとは私に毒の入った飲み物を 飲ませたのだから、 全快を期待していた 私なのに、 得られたのは、わが身を 傷つけてやまない魔力だった、 死ぬことは許されず、 永劫の苦しみに委ねられたのだ！ あの飲み物！あの飲み物！ あの恐ろしい飲み物！ 私の心臓から脳天に至るまで それは荒れ狂って迫ってきた！ いまやどんな救いも どんな甘美な死も、 このあこがれの苦難から 私を救うことはできない・・・ どこにも、ああ、どこにも 安らぎを見出すことはないのだ。 夜は私を 昼に向かって放り投げたが、 それは私の苦しみを永遠に 太陽の眼差しにさらし続けるためなのだ。 おお、この太陽の 焼き焦がす光線、 その燃えあがる苦しみは、 いかに私の脳を燃やすことか！ この熱きも 熱い憔悴にとって、 ああ、いかなる影も 冷やすことのない心の闇にとって、 この苦痛の 恐ろしい痛みにとって、 どんな癒し薬が 快癒の役に立つというのだ。 私を苦悩の手に委ねた あの恐ろしい飲み物、 それを醸したのは、 私自身・・・私自身なのだ！ 父の苦難と、 母の悲しみの中から、 昔も今も変わることのない 愛の涙の中から・・・ 笑いと泣くことの中から、 喜びと傷の中から、 この飲み物の毒を 私が見出だしたのだ！ 私が醸したこの飲み物、 それは私に注がれ、 歓喜とともに啜りながら、 かつて私は飲み干したのだ・・・ 呪われよ、恐るべき飲み物！ 呪われよ、お前を醸した者！ （気を失って後ろに崩れ落ちる） KURWENAL （トリスタンをなだめようと無駄な骨折りをしていたが、驚いて叫び声を上げる） わが殿！トリスタン！ 何とすさまじい魔力！ おお、恋のまやかし！ おお、愛の抗えない力！ この世で最もやさしき妄想が、 なにゆえあなた様を破滅させたのですか？ 今ここに横たわっている方は 喜びにみちたお方、 誰よりも深く愛し、恋をしたお方。 見るがいい、恋はこの方から いかなる代償を得たのかを、 恋はいかなるものを得たのかを！ （しゃくりあげるような声で） 死んでおしまいになったか？ まだ生きておられるか？ 呪いがあなた様を拉し去ったのか？ （呼吸に聞き耳を立てて） おお、うれしや！そうではない！ 動いている、生きておられる！ （愛情をこめて） なんと柔らかな唇の動きだろう！ TRISTAN （ゆっくり意識を取り戻しながら） 船は？まだ船は見えないのか？ KURWENAL 船ですと？むろん、 今日のうちには参るでしょう、 もはやぐずぐずしているはずはありません。 TRISTAN そしてその上にはイゾルデが・・・ あのひとが、こちらに手を振り 私のためにやさしく 償いを飲みほす様子。 その様子がお前には見えないのか？ あのひとがまだ見えないのか？ あのひとが幸せそうに、 高貴に、おだやかに、 あの海の 大海原を渉ってくる様子が？ 歓びに満ちた花々の 明るい大波の上を あのひとはやわらかに 陸地へと近づいてくる。 あのひとは私に微笑みかけ、 なぐさめと甘美な安らぎ、 そして最期の癒しを 与えてくださるのだ。 ああ、イゾルデ、イゾルデ！ 何とあなたは美しいのだ！ だが、クルヴェナールよ、おい！ お前には見えないのか？ 見張り台に登るのだ、 このうすのろめ！ 私にこんなにはっきりと明るく見えているものを、 お前が見逃すとでもいうのか！ 私の言うことが聞こえないのか？ 早く見張りに立て！ 急いで見張れ！ 位置につくのか？ 船は？船は？ イゾルデの船は？ 見えるはずだぞ！ 見えるはずだ！ 船は？よもや見えないのか？ （クルヴェナールはなおもためらってトリスタンと揉み合っていたが、羊飼いが舞台の外からシャルマイを吹き鳴らし始める） KURWENAL （喜んで跳びあがりながら） おお、うれしや、喜ばしや！ （見張り台に突進し、彼方を眺め、息を切らして） ああ！船だ！ 北のほうから近づいてくるのが見えるぞ。 TRISTAN （募りゆく陶酔の中で） 知らなかったとでも？ 言わなかったとでも？ あのひとがなおも生きていて、 生き生きと動いていることを。 私にとってはイゾルデだけから 織り成されている世界なのに、 どうしてその世界から、 イゾルデがいなくなってしまうことがあり得よう？ KURWENAL （見張り台から振り向きざま呼び掛け、歓呼して） やっほー！やっほー！ 勇ましく進んでくるぞ！ 帆をぴんと張っているぞ！ 急いでくるぞ！飛んでくるぞ！ TRISTAN 旗はどうだ？旗は？ KURWENAL 喜びの旗が、 陽気に明るく、てっぺんに！ TRISTAN （寝床の上に高くまっすぐ身を起こしながら） やったぞ！よろこばしや！ 明るい昼の中で 私のもとへ、イゾルデが！ イゾルデが、私のもとへ！ あのひと自身は見えないのか？ KURWENAL ちょうど今、船は 岩陰に隠れてしまいました。 TRISTAN あの岩礁の陰にか？ 危険ではないか？ あそこでは波濤が荒れ狂い、 幾多の船が難破したことか！ 舵・・・誰が舵を取っているのだ？ KURWENAL 信のおける船乗りですぞ。 TRISTAN 私を裏切るのでは？ よもやメロートの一味では？ KURWENAL 私同様、お信じ下さい！ TRISTAN おまえだって裏切り者だ！ いやな奴め！ あの人がまた見えるか？ KURWENAL まだです。 TRISTAN もう駄目だ！ KURWENAL （歓呼しながら） やっほー！やっほほほー！ 過ぎたぞ！過ぎた！ 幸いにもやり過ごしたぞ！ TRISTAN （歓呼しながら） クルヴェナール、やっほー！ もっとも誠実な友よ！ 私のすべての財産を 今日にもおまえにくれてやろう。 KURWENAL 飛ぶように近づいてくる。 TRISTAN やっとあのひとが見えるのか？ イゾルデが見えるのか？ KURWENAL あの方です！手を振っておられます！ TRISTAN おお、幸せな女性よ！ KURWENAL 港に、あの船が！ イゾルデ様だ！ああ！ ひとっ飛びで、 船べりから陸へと降りられた。 TRISTAN 見張り台から降りてこい、 ぼんやりと見とれているな！ 降りて行け！浜へと 降りてゆくのだ！ あのひとをお助けせよ！我が妻をお助けせよ！ KURWENAL あの方を運び上げて参ります、 我が腕力をお信じください！ だが、トリスタン様、あなたは、 この寝台に必ずやとどまっておられるのですぞ！ （クルヴェナールは急いで走り去る） 第２場 TRISTAN （最高度に興奮して、寝床の上でのたうちながら） おお、この太陽！ ああ、この真昼！ ああ、この歓びの 光に満ち溢れた真昼！ 急きたてる血流、 歓声をあげるこころ！ かたちのない歓び、 喜ばしい熱狂！ 寝床に縛り付けられたまま、 どうやってこれが耐えられようか？ さあ、いざ、あそこへ、 心の臓が脈打つところへ！ 勇者トリスタンが、 歓喜の力にみちて、 死からわが身を もぎ離したのだ！ （高くまっすぐ身を起して） 血の流れる傷をかかえて、 私はかつてモロルトと戦った、 血の流れる傷をかかえて、 今日はイゾルデを手に入れるのだ！ （傷にあてがった包帯をひきちぎって） さあ、我が血よ！ 陽気に流れるがいい！ （寝床から転げ落ち、前方によろめきながら） 私の傷を 永遠にふさいだあのひと・・・ 勇者のようにあのひとは近づく、 私を癒しに、あのひとは近づく！ 私の歓呼に満ちた切迫の前に、 この世界は消え去ってしまうがいい！ （ふらついて舞台中央に出てくる） ISOLDE （舞台の陰から） トリスタン！いとしい人！ TRISTAN （おそろしいばかりに興奮して） 何だと、光が聞こえるのか？ たいまつだ、ああ！ たいまつが消える！ あのひとのもとへ！あのひとのもとへ！ （イゾルデが息を切らして走り寄ってくる。トリスタンは、わが身を支えきれずに、よろめきながら、彼女を迎えに駆けよる。舞台中央で二人はぶつかり、彼女は腕の中に彼を迎え入れる。トリスタンは腕の中でゆっくりと地面に崩れ落ちる） ISOLDE トリスタン！ああ！ TRISTAN （死にかけて彼女を見上げながら） イゾルデ！ （死ぬ） ISOLDE ああ！私よ、私よ、 いとしい友よ！ 起きて、もう一度だけ 私の呼ぶ声を聞いてください！ イゾルデが呼んでいるのです、 イゾルデが来たのです、 誠実を貫き、トリスタンとともに死ぬために。 黙りこくったままなの？ ただひと時だけ、 ただひと時だけ、 目覚めていてください！ あまりに切ない日々を この女はあこがれながら起きていましたが、 それは、なおひと時を あなたとともに起きているがためでした。 イゾルデを騙すの？ トリスタンはイゾルデを騙して、 この唯一の 永遠に短い 最後のこの世の幸せを奪い去るの？ 傷は？どこなの？ 私に治させてください！ 歓びに満ちて気高く、 私たちはあの夜を分ちあったわね・・・ ですから、この傷のために、 この傷のために、死ぬことはないのです。 私たち二人が一つになって初めて 生命の光は消えるのです！ 濁った眼差し！ 音を立てない心臓！ 呼吸のかりそめの 息吹もない！ この女はいまや嘆きながら、 あなたの前に佇むだけなの？ 歓びに満ちてあなたと結ばれるために、 勇んで海を渡ってきたのに。 遅すぎた！ 利かん気な人！ 私をこんなにも 過酷な禁令で罰するのね？ 私の苦悩に満ちた罪を いささかも宥して下さらないのね？ 一言の嘆きも あなたには言えないのね？ 一度だけ、ああ！ もう一度だけ！・・・ トリスタン！・・・ああ！・・・ しいっ！目覚めたわ！ いとしい人！ （気を失って遺体の上に崩れ落ちる） 第３場 （クルヴェナールはイゾルデのすぐ後を追ってきていたが、この場面におそろしい衝撃を受けて無言で立ち会ったまま、ぴくりともせずにトリスタンを見つめていた。いまや舞台の奥からは、こもったざわめき声と武具のガチャガチャいう音が聞こえてくる。羊飼いが城壁を乗り越えてやって来る） 【羊飼い】 （急ぎながらも小声でクルヴェナールに向かって） クルヴェナール！おおい！ 二番目の船が。 （クルヴェナールが激しく飛び上がって胸壁越しに眺めるかたわらで、羊飼いは衝撃を受けてトリスタンとイゾルデを遠くから見る） KURWENAL （怒りを爆発させて） 死よ！地獄よ！ 手を貸してくれ！ マルケとメロートが 目に入ったぞ。 武器をもて！石をもて！ 加勢してくれ！城門へ！ （羊飼いとともに城門に走っていき、急いで城門を封鎖しようとする） 【舵取り】 （突入してくる） マルケが、大勢の男たちを引き連れて 俺の後を追ってきた。 防戦は無駄だった！ みな倒されてしまった。 KURWENAL 配置につけ！加勢してくれ！ 俺が生きてるうちは、 誰にもこの中を覗かせはしない！ BRANGÄNE （舞台の外で、下のほうから） イゾルデ！姫様！ KURWENAL ブランゲーネの呼び声だな？ （下のほうに向かって叫ぶ） ここに何の用だ？ BRANGÄNE 閉めないで、クルヴェナール！ イゾルデ様はどこ？ KURWENAL お前も裏切り者か？ 呪われろ、卑劣な女！ MELOT （外側で） さがれ！阿呆！ そこをどけろ！ KURWENAL （怒り狂って飛び上がる） やったぞ！この日、 俺がお前に会えるとは！ （メロートは武装した男たちと城門の下に現れる。クルヴェナールは彼に向って突進し、地面に打ち倒す） 死ね、恥知らず！ MELOT 無念！トリスタン！ （死ぬ） BRANGÄNE （なおも外側で） クルヴェナール！狂ったひと！ ねえ、勘違いなのよ！ KURWENAL 不実な女め！ （味方に向かって） いざ！俺につづけ！ 奴らを押し戻せ！ （みんなで戦う） MARKE （外側で） やめろ、荒れ狂う者よ！ 正気なのか？ KURWENAL ここで荒れ狂っているのは死だ！ 王よ！それ以外のものは、 何一つここでは得られないぞ！ それを求めてるのなら、さあかかって来い！ （マルケと従者に突っ込んでいく） MARKE （従者をしたがえ、城門の下に姿を見せ） さがれ！狂人よ！ BRANGÄNE （脇のほうで城壁を跳び越え、舞台の前景に走ってくる） イゾルデ！姫様！ どうかご無事で！ なんとしたこと？ああ！ 生きておいでですか？イゾルデ様！ （イゾルデの世話をする。・・・マルケは従者とともに、加勢の者ともどもクルヴェナールを城門から追い払い、中に突入してくる） MARKE おお、まやかしよ！妄想よ！ トリスタン、どこにいるのだ？ KURWENAL （深傷を負って、よろめきながらマルケの前に立って舞台前方に歩んでくる） そこに横たわっておられる・・・ だからここに・・・私は・・・横になる。 （トリスタンの足もとに崩れ落ちる） MARKE トリスタン！トリスタン！ イゾルデ！なんと！ KURWENAL （トリスタンの手をつかみながら） トリスタン！お館さま！ お怒りめさるな、 この忠義者が一緒に参ろうとも！ （死ぬ） MARKE 死んだのか、すべて！ すべて死んだのか！ 我が勇者、我がトリスタンよ！ 無二の友よ、 今日もまた お前は友を裏切るのか？ 友が最高の誠意を示そうと、 やって来た今日という日にも？ 目覚めるのだ！目覚めるのだ！ 私の嘆きの声を聞いて目を覚ますのだ！ （遺体の上に屈み込んで泣きむせびながら） 不実にして最も誠実な友よ！ BRANGÄNE （腕の中でイゾルデを再び正気に戻して） 起きている！生きている！ イゾルデ様！お聞きください、 私の罪の告白をお聞き及びください！ あの飲み物の秘密を 私は王に明かしたのです。 すると、心配でたまらず急いで、 王は港を出航したのですが、 それも姫様に追いつき、 姫様のことを諦めて、 ご友人に姫様を娶せるためなのです。 MARKE なぜだ、イゾルデ、 なぜ私にこのようなことを？ かつて私にわかり得なかったことが、 こうして明るみに出されたとき、 友が無実であることを知った私は、 何とうれしかったことだろう！ このかわいい男に お前を嫁がせようと、 帆をふくらませて、 飛ぶようにお前を追ってきたのだ。 だが不幸が 激しく荒れ狂った、 どうしてこんなことに？平和をもたらしに来たのに。 私は死の取り分を増やしてしまった・・・ 妄想が苦難を積み増したのだ。 BRANGÄNE 私たちの声が聞こえないのですか？ イゾルデ！姫様！ この忠義な女の声がわからないのですか？ （イゾルデは、身の周りの何もかも聞こえなかったが、募りゆく陶酔とともに、トリスタンの遺体に視線をじっと注ぐ） ISOLDE おだやかに、静かに あの方が微笑む、 目をにこやかに あの方は見開く・・・ みなさんは見ているの？ 見えないの？ ますます光を帯びて あの方が輝くのを、 星々に照らされながら 高く身をもたげるのを？ みなさんには見えないの？ あの方の心臓が 雄々しく盛り上がり、 ゆたかに、高貴に 胸の中でふくらむのを。 両の唇から 歓喜に満ちて、おだやかに 甘い吐息が、 やわらかに吐き出されるのを・・・ みなさん！見て！ 感じないの？見えないの？ この調べを聞いているのは 私だけなの？ こんなにも奇蹟に満ちて 静かに、 歓喜を嘆き、 宇宙のすべてを語り、 おだやかになだめながら、 あの方の中から響きながら、 私の中に入り込み、 自らも響きだし、 やさしく反響しながら、 私を取り巻いて鳴り渡る、この調べを！ ますます晴れやかに鳴り響きながら、 私の周りに打ち寄せてくるもの・・・ それは、やわらかな大気の さざ波なのかしら？ それとも、歓喜にみちた 香りの大波なのかしら？ それらがふくらみ、 私の周りでざわめくとき、 吸い込めばいいの？ 耳を澄ませばいいの？ それとも啜り込んで、 潜り込めばいいの？ それとも甘き香りのなかに、 消えいってしまえばいいの？ この波打つ凄まじきもののなかに、 この鳴り渡る響きのなかに、 この世界の吐息の 吹きすさぶ宇宙のすべてのなかに・・・ 溺れ、 沈み・・・ 我を忘れ・・・ この上なき歓び！ （イゾルデは、浄化されたように、ブランゲーネの腕に抱かれながら、トリスタンの遺体の上にやわらかに崩れ落ちる。取り巻いている人々の感動と忘我。マルケ王は遺体に十字を切る。ゆっくりと幕が下りる。） DRITTER AUFZUG ERSTE SZENE Burggarten. Zur einen Seite hohe Burggebäude, zur andren eine niedrige Mauerbrüstung, von einer Warte unterbrochen; im Hintergrunde das Burgtor. Die Lage ist auf felsiger Höhe anzunehmen; durch Öffnungen blickt man auf einen weiten Meereshorizont. Das Ganze macht den Eindruck der Herrenlosigkeit, übel gepflegt, hier und da schadhaft und bewachsen. Im Vordergrunde, an der inneren Seite, liegt Tristan, unter dem Schatten einer grossen Linde, auf einem Ruhebett schlafend, wie leblos ausgestreckt. Zu Häupten ihm sitzt Kurwenal, in Schmerz über ihn hingebeugt und sorgsam seinem Atem lauschend. Von der Aussenseite her hört man, beim Aufziehen des Vorhanges, einen Hirtenreigen, sehnsüchtig und traurig auf einer Schalmei geblasen. --- Der Hirt erscheint selbst mit dem Oberleibe über der Mauerbrüstung und blickt teilnehmend herein HIRT leise Kurwenal! He! Sag, Kurwenal! Hör doch, Freund! Kurwenal wendet ein wenig das Haupt nach ihm Wacht er noch nicht? KURWENAL schüttelt traurig mit dem Kopf Erwachte er, wär s doch nur, um für immer zu verscheiden erschien zuvor die Ärztin nicht, die einz ge, die uns hilft. --- Sahst du noch nichts? Kein Schiff noch auf der See? HIRT Eine andre Weise hörtest du dann, so lustig, als ich sie nur kann. Nun sag auch ehrlich, alter Freund was hat s mit unserm Herrn? KURWENAL Lass die Frage du kannst s doch nie erfahren. Eifrig späh, und siehst du ein Schiff, so spiele lustig und hell! Der Hirt wendet sich und späht, mit der Hand überm Auge, nach dem Meer aus HIRT Öd und leer das Meer! Er setzt die Schalmei an den Mund und entfernt sich blasend TRISTAN bewegungslos, dumpf Die alte Weise --- was weckt sie mich? KURWENAL fährt erschrocken auf Ha! TRISTAN schlägt die Augen auf und wendet das Haupt ein wenig Wo bin ich? KURWENAL Ha! Diese Stimme! Seine Stimme! Tristan, Herre! Mein Held, mein Tristan! TRISTAN mit Anstrengung Wer ruft mich? KURWENAL Endlich! Endlich! Leben, o Leben! Süsses Leben, meinem Tristan neu gegeben! TRISTAN ein wenig auf dem Lager sich erhebend, matt Kurwenal --- du? Wo war ich? Wo bin ich? KURWENAL Wo du bist? In Frieden, sicher und frei! Kareol, Herr kennst du die Burg der Väter nicht? TRISTAN Meiner Väter? KURWENAL Sieh dich nur um! TRISTAN Was erklang mir? KURWENAL Des Hirten Weise hörtest du wieder; am Hügel ab hütet er deine Herde. TRISTAN Meine Herde? KURWENAL Herr, das mein ich! Dein das Haus, Hof und Burg! Das Volk, getreu dem trauten Herrn, so gut es konnt , hat s Haus und Hof gepflegt, das einst mein Held zu Erb und Eigen an Leut und Volk verschenkt, als alles er verliess, in fremde Land zu ziehn. TRISTAN In welches Land? KURWENAL Hei! Nach Kornwall kühn und wonnig, was sich da Glanzes, Glück und Ehren Tristan, mein Held, hehr ertrotzt! TRISTAN Bin ich in Kornwall? KURWENAL Nicht doch in Kareol! TRISTAN Wie kam ich her? KURWENAL Hei nun! Wie du kamst? Zu Ross rittest du nicht; ein Schifflein führte dich her. Doch zu dem Schifflein hier auf den Schultern trug ich dich; --- die sind breit, sie trugen dich dort zum Strand. Nun bist du daheim, daheim zu Land im echten Land, im Heimatland; auf eigner Weid und Wonne, im Schein der alten Sonne, darin von Tod und Wunden du selig sollst gesunden. Er schmiegt sich an Tristans Brust TRISTAN nach einem kleinen Schweigen Dünkt dich das? Ich weiss es anders, doch kann ich s dir nicht sagen. Wo ich erwacht --- weilt ich nicht; doch, wo ich weilte, das kann ich dir nicht sagen. Die Sonne sah ich nicht, noch sah ich Land und Leute doch, was ich sah, das kann ich dir nicht sagen. Ich war, wo ich von je gewesen, wohin auf je ich geh im weiten Reich der Weltennacht. Nur ein Wissen dort uns eigen göttlich ew ges Ur-Vergessen! Wie schwand mir seine Ahnung? Sehnsücht ge Mahnung, nenn ich dich, die neu dem Licht des Tags mich zugetrieben? Was einzig mir geblieben, ein heiss-inbrünstig Lieben, aus Todes-Wonne-Grauen jagt s mich, das Licht zu schauen, das trügend hell und golden noch dir, Isolden, scheint! Kurwenal birgt, von Grausen gepackt, sein Haupt. Tristan richtet sich allmählich immer mehr auf Isolde noch im Reich der Sonne! Im Tagesschimmer noch Isolde! Welches Sehnen! Welches Bangen! Sie zu sehen, welch Verlangen! Krachend hört ich hinter mir schon des Todes Tor sich schliessen weit nun steht es wieder offen, der Sonne Strahlen sprengt es auf; mit hell erschlossnen Augen musst ich der Nacht enttauchen --- sie zu suchen, sie zu sehen; sie zu finden, in der einzig zu vergehen, zu entschwinden Tristan ist vergönnt. Weh, nun wächst, bleich und bang, mir des Tages wilder Drang; grell und täuschend sein Gestirn weckt zu Trug und Wahn mir das Hirn! Verfluchter Tag mit deinem Schein! Wachst du ewig meiner Pein? Brennt sie ewig, diese Leuchte, die selbst nachts von ihr mich scheuchte? Ach, Isolde, süsse Holde! Wann endlich, wann, ach wann löschest du die Zünde, dass sie mein Glück mir künde? Das Licht --- wann löscht es aus? Er sinkt erschöpft leise zurück Wann wird es Nacht im Haus? KURWENAL nach grosser Erschütterung aus der Niederschlagenheit sich aufraffend Der einst ich trotzt , aus Treu zu dir, mit dir nach ihr nun muss ich mich sehnen. Glaub meinem Wort du sollst sie sehen hier und heut; den Trost kann ich dir geben --- ist sie nur selbst noch am Leben. TRISTAN sehr matt Noch losch das Licht nicht aus, noch ward s nicht Nacht im Haus Isolde lebt und wacht; sie rief mich aus der Nacht. KURWENAL Lebt sie denn, so lass dir Hoffnung lachen! Muss Kurwenal dumm dir gelten, heut sollst du ihn nicht schelten. Wie tot lagst du seit dem Tag, da Melot, der Verruchte, dir eine Wunde schlug. Die böse Wunde, wie sie heilen? Mir tör gem Manne dünkt es da, wer einst dir Morolds Wunde schloss, der heilte leicht die Plagen, von Melots Wehr geschlagen. Die beste Ärztin bald ich fand; nach Kornwall hab ich ausgesandt ein treuer Mann wohl übers Meer bringt dir Isolde her. TRISTAN ausser sich Isolde kommt! Isolde naht! Er ringt gleichsam nach Sprache O Treue! Hehre, holde Treue! Er zieht Kurwenal an sich und umarmt ihn Mein Kurwenal, du trauter Freund! Du Treuer ohne Wanken, wie soll dir Tristan danken? Mein Schild, mein Schirm in Kampf und Streit, zu Lust und Leid mir stets bereit wen ich gehasst, den hasstest du; wen ich geminnt, den minntest du. Dem guten Marke, dient ich ihm hold, wie warst du ihm treuer als Gold! Musst ich verraten den edlen Herrn, wie betrogst du ihn da so gern! Dir nicht eigen, einzig mein, mit leidest du, wenn ich leide nur was ich leide, das kannst du nicht leiden! Dies furchtbare Sehnen, das mich sehrt; dies schmachtende Brennen, das mich zehrt; wollt ich dir s nennen, könntest du s kennen nicht hier würdest du weilen, zur Warte müsstest du eilen --- mit allen Sinnen sehnend von hinnen nach dorten trachten und spähen, wo ihre Segel sich blähen, wo vor den Winden, mich zu finden, von der Liebe Drang befeuert, Isolde zu mir steuert! --- Es naht! Es naht mit mutiger Hast! Sie weht, sie weht --- die Flagge am Mast. Das Schiff! Das Schiff! Dort streicht es am Riff! Siehst du es nicht? Heftig. Kurwenal, siehst du es nicht? Als Kurwenal, um Tristan nicht zu verlassen, zögert, und dieser in schweigender Spannung auf ihn blickt, ertönt, wie zu Anfang, näher, dann ferner, die klagende Weise des Hirten KURWENAL niedergeschlagen Noch ist kein Schiff zu sehn! TRISTAN hat mit abnehmender Aufregung gelauscht und beginnt nun mit wachsender Schwermut Muss ich dich so verstehn, du alte ernste Weise, mit deiner Klage Klang? Durch Abendwehen drang sie bang, als einst dem Kind des Vaters Tod verkündet. Durch Morgengrauen bang und bänger als der Sohn der Mutter Los vernahm. Da er mich zeugt und starb, sie sterbend mich gebar. Die alte Weise sehnsuchtbang zu ihnen wohl auch klagend drang, die einst mich frug und jetzt mich frägt zu welchem Los erkoren ich damals wohl geboren? Zu welchem Los? Die alte Weise sagt mir s wieder mich sehnen --- und sterben! Nein! Ach nein! So heisst sie nicht! Sehnen! Sehnen! Im Sterben mich zu sehnen, vor Sehnsucht nicht zu sterben! Die nie erstirbt, sehnend nun ruft um Sterbens Ruh sie der fernen Ärztin zu. --- Sterbend lag ich stumm im Kahn, der Wunde Gift dem Herzen nah Sehnsucht klagend klang die Weise; den Segel blähte der Wind hin zu Irlands Kind. Die Wunde, die sie heilend schloss, riss mit dem Schwert sie wieder los; das Schwert dann aber --- liess sie sinken; den Gifttrank gab sie mir zu trinken wie ich da hoffte ganz zu genesen, da ward der sehrendste Zauber erlesen dass nie ich sollte sterben, mich ew ger Qual vererben! Der Trank! Der Trank! Der furchtbare Trank! Wie vom Herzen zum Hirn er wütend mir drang! Kein Heil nun kann, kein süsser Tod je mich befrein von der Sehnsucht Not; nirgends, ach nirgends find ich Ruh mich wirft die Nacht dem Tage zu, um ewig an meinen Leiden der Sonne Auge zu weiden. O dieser Sonne sengender Strahl, wie brennt mir das Hirn seine glühende Qual! Für diese Hitze heisses Verschmachten, ach, keines Schattens kühlend Umnachten! Für dieser Schmerzen schreckliche Pein, welcher Balsam sollte mir Lindrung verleihn? Den furchtbaren Trank, der der Qual mich vertraut, ich selbst --- ich selbst, ich hab ihn gebraut! Aus Vaters Not und Mutterweh, aus Liebestränen eh und je --- aus Lachen und Weinen, Wonnen und Wunden hab ich des Trankes Gifte gefunden! Den ich gebraut, der mir geflossen, den wonneschlürfend je ich genossen --- verflucht sei, furchtbarer Trank! Verflucht, wer dich gebraut! Er sinkt ohnmächtig zurück KURWENAL der vergebens Tristan zu mässigen suchte, schreit entsetzt auf Mein Herre Tristan! Schrecklicher Zauber! O Minnetrug! O Liebeszwang! Der Welt holdester Wahn, wie ist s um dich getan! Hier liegt er nun, der wonnige Mann, der wie keiner geliebt und geminnt. Nun seht, was von ihm sie Dankes gewann, was je Minne sich gewinnt! Mit schluchzender Stimme Bist du nun tot? Lebst du noch? Hat dich der Fluch entführt? Er lauscht seinem Atem O Wonne! Nein! Er regt sich, er lebt! zart Wie sanft er die Lippen rührt! TRISTAN langsam wieder zu sich kommend Das Schiff? Siehst du s noch nicht? KURWENAL Das Schiff? Gewiss, es naht noch heut; es kann nicht lang mehr säumen. TRISTAN Und drauf Isolde, wie sie winkt, wie sie hold mir Sühne trinkt. Siehst du sie? Siehst du sie noch nicht? Wie sie selig, hehr und milde wandelt durch des Meers Gefilde? Auf wonniger Blumen lichten Wogen kommt sie sanft ans Land gezogen. Sie lächelt mir Trost und süsse Ruh, sie führt mir letzte Labung zu. Ach, Isolde, Isolde! Wie schön bist du! Und Kurwenal, wie, du sähst sie nicht? Hinauf zur Warte, du blöder Wicht! Was so hell und licht ich sehe, dass das dir nicht entgehe! Hörst du mich nicht? Zur Warte schnell! Eilig zur Warte! Bist du zur Stell ? Das Schiff? Das Schiff? Isoldens Schiff? Du musst es sehen! Musst es sehen! Das Schiff? Sähst du s noch nicht? Während Kurwenal noch zögernd mit Tristan ringt, lässt der Hirt von aussen die Schalmei ertönen KURWENAL springt freudig auf O Wonne! Freude! Er stürzt auf die Warte und späht aus, atemlos Ha! Das Schiff! Von Norden seh ich s nahen. TRISTAN in wachsender Begeisterung Wusst ich s nicht? Sagt ich s nicht, dass sie noch lebt, noch Leben mir webt? Die mir Isolde einzig enthält, wie wär Isolde mir aus der Welt? KURWENAL von der Warte zurückrufend, jauchzend Heiha! Heiha! Wie es mutig steuert! Wie stark der Segel sich bläht! Wie es jagt, wie es fliegt! TRISTAN Die Flagge? Die Flagge? KURWENAL Der Freude Flagge am Wimpel lustig und hell! TRISTAN auf dem Lager hoch sich aufrichtend Hahei! Der Freude! Hell am Tage zu mir Isolde! Isolde zu mir! Siehst du sie selbst? KURWENAL Jetzt schwand das Schiff hinter dem Fels. TRISTAN Hinter dem Riff? Bringt es Gefahr? Dort wütet die Brandung, scheitern die Schiffe! Das Steuer, wer führt s? KURWENAL Der sicherste Seemann. TRISTAN Verriet er mich? Wär er Melots Genoss? KURWENAL Trau ihm wie mir! TRISTAN Verräter auch du! Unsel ger! Siehst du sie wieder? KURWENAL Noch nicht. TRISTAN Verloren! KURWENAL jauchzend Heiha! Hei ha ha ha ha! Vorbei! Vorbei! Glücklich vorbei! TRISTAN jauchzend Kurwenal, hei ha ha ha, treuester Freund! All mein Hab und Gut vererb ich noch heute. KURWENAL Sie nahen im Flug. TRISTAN Siehst du sie endlich? Siehst du Isolde? KURWENAL Sie ist s! Sie winkt! TRISTAN O seligstes Weib! KURWENAL Im Hafen der Kiel! Isolde, ha! Mit einem Sprung springt sie vom Bord ans Land. TRISTAN Herab von der Warte, müssiger Gaffer! Hinab! Hinab an den Strand! Hilf ihr! Hilf meiner Frau! KURWENAL Sie trag ich herauf trau meinen Armen! Doch du, Tristan, bleib mir treulich am Bett. Kurwenal eilt fort ZWEITE SZENE TRISTAN in höchster Aufregung auf dem Lager sich mühend O diese Sonne! Ha, dieser Tag! Ha, dieser Wonne sonnigster Tag! Jagendes Blut, jauchzender Mut! Lust ohne Massen, freudiges Rasen! Auf des Lagers Bann wie sie ertragen? Wohlauf und daran, wo die Herzen schlagen! Tristan der Held, in jubelnder Kraft, hat sich vom Tod emporgerafft! Er richtet sich hoch auf Mit blutender Wunde bekämpft ich einst Morolden, mit blutender Wunde erjag ich mir heut Isolden! Er reisst sich den Verband der Wunde auf Heia, mein Blut! Lustig nun fliesse! Er springt vom Lager herab und schwankt vorwärts Die mir die Wunde auf ewig schliesse --- sie naht wie ein Held, sie naht mir zum Heil! Vergeh die Welt meiner jauchzenden Eil ! Er taumelt nach der Mitte der Bühne ISOLDE von aussen Tristan! Geliebter! TRISTAN in der furchtbarsten Aufregung Wie, hör ich das Licht? Die Leuchte, ha! Die Leuchte verlischt! Zu ihr, zu ihr! Isolde eilt atemlos herein. Tristan, seiner nicht mächtig, stürzt sich ihr schwankend entgegen. In der Mitte der Bühne begegnen sie sich; sie empfängt ihn in ihren Armen. Tristan sinkt langsam in ihren Armen zu Boden ISOLDE Tristan! Ha! TRISTAN sterbend zu ihr aufblickend Isolde! Er stirbt ISOLDE Ha! Ich bin s, ich bin s, süssester Freund! Auf, noch einmal hör meinen Ruf! Isolde ruft Isolde kam, mit Tristan treu zu sterben. Bleibst du mir stumm? Nur eine Stunde, nur eine Stunde bleibe mir wach! So bange Tage wachte sie sehnend, um eine Stunde mit dir noch zu wachen betrügt Isolden, betrügt sie Tristan um dieses einzige, ewig kurze letzte Weltenglück? Die Wunde? Wo? Lass sie mich heilen! Dass wonnig und hehr die Nacht wir teilen; nicht an der Wunde, an der Wunde stirb mir nicht uns beiden vereint erlösche das Lebenslicht! Gebrochen der Blick! Still das Herz! Nicht eines Atems flücht ges Wehn! --- Muss sie nun jammernd vor dir stehn, die sich wonnig dir zu vermählen mutig kam übers Meer? Zu spät! Trotziger Mann! Strafst du mich so mit härtestem Bann? Ganz ohne Huld meiner Leidens-Schuld? Nicht meine Klagen darf ich dir sagen? Nur einmal, ach! nur einmal noch! --- Tristan! --- Ha! --- Horch! Er wacht! Geliebter! Sie sinkt bewusstlos über der Leiche zusammen DRITTE SZENE Kurwenal war sogleich hinter Isolde zurückgekommen; sprachlos in furchtbarer Erschütterung hat er dem Auftritte beigewohnt und bewegungslos auf Tristan hingestarrt. Aus der Tiefe hört man jetzt dumpfes Gemurmel und Waffengeklirr. Der Hirt kommt über die Mauer gestiegen HIRT hastig und leise sich zu Kurwenal wendend Kurwenal! Hör! Ein zweites Schiff. Kurwenal fährt heftig auf und blickt über die Brüstung, während der Hirt aus der Ferne erschüttert auf Tristan und Isolde sieht KURWENAL in Wut ausbrechend Tod und Hölle! Alles zur Hand! Marke und Melot hab ich erkannt. Waffen und Steine! Hilf mir! Ans Tor! Er eilt mit dem Hirten an das Tor, das sie in der Hast zu verrammeln suchen DER STEUERMANN stürzt herein Marke mir nach mit Mann und Volk vergebne Wehr! Bewältigt sind wir. KURWENAL Stell dich und hilf! Solange ich lebe, lugt mir keiner herein! BRANGÄNE aussen, von unten her Isolde! Herrin! KURWENAL Brangänes Ruf? Hinabrufend Was suchst du hier? BRANGÄNE Schliess nicht, Kurwenal! Wo ist Isolde? KURWENAL Verrät rin auch du? Weh dir, Verruchte! MELOT ausserhalb Zurück, du Tor! Stemm dich nicht dort! KURWENAL wütend auffahrend Heiahaha! Dem Tag, an dem ich dich treffe! Melot, mit gewaffneten Männern, erscheint unter dem Tor. Kurwenal stürzt sich auf ihn und streckt ihn zu Boden Stirb, schändlicher Wicht! MELOT Weh mir, Tristan! Er stirbt BRANGÄNE noch ausserhalb Kurwenal! Wütender! Hör, du betrügst dich! KURWENAL Treulose Magd! Zu den Seinen Drauf! Mir nach! Werft sie zurück! Sie kämpfen MARKE ausserhalb Halte, Rasender! Bist du von Sinnen? KURWENAL Hier wütet der Tod! Nichts andres, König, ist hier zu holen willst du ihn kiesen, so komm! Er dringt auf Marke und dessen Gefolge ein MARKE unter dem Tor mit Gefolge erscheinend Zurück! Wahnsinniger! BRANGÄNE hat sich seitwärts über die Mauer geschwungen und eilt in den Vordergrund Isolde! Herrin! Glück und Heil! Was seh ich? Ha! Lebst du? Isolde! Sie müht sich um Isolde. --- Marke mit seinem Gefolge hat Kurwenal mit dessen Helfern vom Tore zurückgetrieben und dringt herein MARKE O Trug und Wahn! Tristan, wo bist du? KURWENAL schwer verwundet, schwankt vor Marke her nach dem Vordergrund Da liegt er --- hier --- wo ich --- liege. Er sinkt bei Tristans Füssen zusammen MARKE Tristan! Tristan! Isolde! Weh! KURWENAL nach Tristans Hand fassend Tristan! Trauter! Schilt mich nicht, dass der Treue auch mit kommt! Er stirbt MARKE Tot denn alles! Alles tot! Mein Held, mein Tristan! Trautester Freund, auch heute noch musst du den Freund verraten? Heut, wo er kommt, dir höchste Treue zu bewähren? Erwache! Erwache! Erwache meinem Jammer! Schluchzend über die Leiche sich herabbeugend Du treulos treuster Freund! BRANGÄNE die in ihren Armen Isolde wieder zu sich gebracht Sie wacht! Sie lebt! Isolde! Hör mich, vernimm meine Sühne! Des Trankes Geheimnis entdeckt ich dem König mit sorgender Eil stach er in See, dich zu erreichen, dir zu entsagen, dir zuzuführen den Freund. MARKE Warum, Isolde, warum mir das? Da hell mir enthüllt, was zuvor ich nicht fassen konnt , wie selig, dass den Freund ich frei von Schuld da fand! Dem holden Mann dich zu vermählen, mit vollen Segeln flog ich dir nach. Doch Unglückes Ungestüm, wie erreicht es, wer Frieden bringt? Die Ernte mehrt ich dem Tod, der Wahn häufte die Not. BRANGÄNE Hörst du uns nicht? Isolde! Traute! Vernimmst du die Treue nicht? Isolde, die nichts um sich her vernommen, heftet das Auge mit wachsender Begeisterung auf Tristans Leiche ISOLDE Mild und leise wie er lächelt, wie das Auge hold er öffnet --- seht ihr s Freunde? Seht ihr s nicht? Immer lichter wie er leuchtet, stern-umstrahlet hoch sich hebt? Seht ihr s nicht? Wie das Herz ihm mutig schwillt, voll und hehr im Busen ihm quillt? Wie den Lippen, wonnig mild, süsser Atem sanft entweht --- Freunde! Seht! Fühlt und seht ihr s nicht? Hör ich nur diese Weise, die so wunder- voll und leise, Wonne klagend, alles sagend, mild versöhnend aus ihm tönend, in mich dringet, auf sich schwinget, hold erhallend um mich klinget? Heller schallend, mich umwallend, sind es Wellen sanfter Lüfte? Sind es Wogen wonniger Düfte? Wie sie schwellen, mich umrauschen, soll ich atmen, soll ich lauschen? Soll ich schlürfen, untertauchen? Süss in Düften mich verhauchen? In dem wogenden Schwall, in dem tönenden Schall, in des Welt-Atems wehendem All --- ertrinken, versinken --- unbewusst --- höchste Lust! Isolde sinkt, wie verklärt, in Brangänes Armen sanft auf Tristans Leiche. Rührung und Entrücktheit unter den Umstehenden. Marke segnet die Leichen. Der Vorhang fällt langsam この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Wagner,Richard/Tristan und Isolde
https://w.atwiki.jp/oper/pages/1477.html
TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop TROISIÈME ACTE Le boudoir de Pluton (Mélange de sévérité et de confortable. Fauteuil et bureau de Pluton au deuxième plan de face. Au lever du rideau Eurydice est seule, dans l attitude de l ennui et de l impatience.) No. 18 Couplets des Regrets EURYDICE Personne encore Pas de nouvelles. Ah, ça, mais c est intolérable! Je m ennuie épouvantablement ici! Ah! quelle triste destinée me fait ici le dieu Pluton! Me laisser seule abandonnée! Que veut dire cet abandon! Lorsqu avec lui je suis venue, de tendresse il était pétri! Ah! mais si cela continue je vais regretter mon mari! Ah mais oui je vais regretter mon mari! L amour des dieux, disait le traître, contient d ineffables douceurs! Je vais te les faire connaître... Les dieux seraient-ils des lâcheurs? Ou donc est l ivresse inconnue que je devais goûter ici! Ah! mais si cela continue etc. Voilà deux jours que je suis seule, n ayant d autre récréation que la compagnie de ce gros bête de domestique dont on a tait mon geôlier! Ah! Encore lui!… (John Styx s avance.) JOHN (à part) Elle est bien belle! bien belle! bien belle! Ah ! si j osais!… EURYDICE C est encore toi Que me veux-tu ? JOHN Madame n a pas sonné? EURYDICE Moi? Non! JOHN Est-ce que Madame sonnera bientôt? EURYDICE Est-ce que je sais? Pourquoi? JOHN Parce que si Madame sonnait, je m empresserais d accourir… Ah! je suis bien malheureux! EURYDICE Qu est-ce que cela me fait! JOHN Puisque Madame paraît s intéresser à moi, je vais tout lui dire. (Ils s assied près d Eurydice qui se lève indignés et lui fait signe de s éloigner John se lève et époussette son siège.) Figurez-vous, Madame, que je suis la meilleure nature du monde j ai un coeur sensible et une tète faible. (Il se ressied près d Eurydice.) La femme qui m aimerait serait bien heureuse! EURYDICE Ne m approche pas! (à part) Il est affreux! JOHN Madame me repousse après un tel aveu? Ah! c est parce que je ne suis qu un domestique, n est-ce pas? Mais je n étais par mort pour porter cette livrée,Madame! Quand j étais sur terre, j étais le fils d un grand prince de Béotie! N 19 Couplets du Roi de Béotie Quand j étais roi de Béotie, j avais des sujets, des soldats, mais un jour, en perdant la vie, j ai perdu tous ces biens, hélas! Et pourtant, point ne les envie ce que je regrette en ce jour c est de ne point t avoir choisie pour te donner tout mon amour! Quand j étais roi de Béotie, quand j étais roi de Béotie! Si j étais roi de Béotie, tu serais reine sur ma foi, je ne puis plus qu en effigie t offrir ma puissance de roi. La plus belle ombre, ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le cœur d un roi de Béotie, le cœur d un roi de Béotie. Voyez-vous il est une chose que le n oublierai jamais, c est l image de la femme adorable dont mon maître m a donné la garde depuis deux jours... EURYDICE Insolent! N 19 bis. Mélodrame JOHN Ah ! tenez, Madame… (On entend jouer au dehors la marche du deuxième acte.) De la musique! EURYDICE Et de la musique gaie! JOHN Mon maître… c est mon maître… il amène du monde! EURYDICE Et beaucoup de monde! JOHN Rentrez, Madame, rentrez! EURYDICE Je ne veux t pas! JOHN Ce sont les ordres de Monsieur. Vous me feriez flanquer a la porte! EURYDICE Mon petit John Styx… je t en supplie… JOHN Non, non! Rentrez.. rentrez!... EURYDICE Ah! Pluton! Tu me le paieras! JOHN Allons, allons! (Il fait entrer Eurydice au fond au moment où paraissent Pluton et Jupiter.) Il était temps! (Jupiter et Pluton entrent en se bousculant et tâchant de se devancer l un l autre.) PLUTON (bas à John) Eurydice! JOHN (bas à Pluton) Sous clef! JUPITER Où est-elle? Ou est-elle? JOHN Qui elle? Qui elle! JUPITER Eurydice! Par ma foudre, parle! PLUTON Eurydice? Comment, tu crois encore que j ai enlevé cette petite? JUPITER Parfaitement! Et je verrai bien… j ai saisi la justice! Il y a eu enlèvement et tu vas être juge par les juges des Enfers! (Paraît un huissier, chaîne d argent au cou.) L HUISSIER La Cour! JUPITER Les voici! (Minos, Eaque et Rhademente font leur entrée.) N 20 Septuor du Tribunal MINOS, EAQUE ET RHADAMANTE Minos, Eaque et Rhadamante, Rhadamante, Eaque et Minos, sous les yeux de Thémis clémente, nous présidons les tribuns les tribuns infernaux! MINOS Nul n échappe à notre colère! RHADAMANTE Ceux que Minos ne punit pas... EAQUE Rhadamante en fait son affaire! RHADAMANTE Eaque est la dans tous les cas! TOUS Minos, Eaque et Rhadamante Rhadamante, Eaque et Minos! Sous les yeux de Thémis clémente. Tous trois président - Nous présidons les tribuns, les tribuns infernaux! L HUISSIER La séance est ouverte! MINOS (à l Huissier) Faites entrer le témoin Cerbère. PLUTON (à part) Pourvu qu il! n aille pas me trahir! L HUISSIER (appelant) Le témoin Cerbère! (Aboiements au dehors. Entre Cerbère.) MINOS Témoin Cerbère, dans la soirée des Ides de Mars, le dieu Pluton revenant de la terre, est-il rentré seul ou avec une femme? CERBÈRE (à qui Pluton vient de marcher sur le pied avec intention.) Aou!... aou!... aou!... aou!... MINOS Vous l entendez? Il affirme que Pluton est rentré seul aux Enfers! (Pendant ce temps l Huissier est venu apporter des galettes a Pluton. Pluton, en cachette, donne des galettes à Cerbère.) JUPITER Attendez donc un peu ! Pluton !e bourre de galettes depuis un quart d heure. Je vais vous la montrer la vérité dans la bouche de Cerbère! (Jupiter se jette sur Cerbère et veut lui ouvrir la gueule Cerbère attrape le bras de Jupiter.) N 20 bis Mélodrame JUPITER Ah! mon bras! PLUTON Tiens bon, Cerbère! JUPITER (se dégageant, à John Styx) A moi, ma foudre! Rends-moi ma foudre que je les foudroie tous! PLUTON (à John) Ne rends pas la foudre! LES JUGES (à John) Ne rends pas la foudre! (Mélodrame à l orchestre avec crépitement et roulement de tonnerre jusqu à l apparition de l Amour. Lutte entre John Stix et Jupiter. Jupiter voulant reprendre sa foudre et John Stix ne voulant pas la lâcher.) JUPITER (qui a repris sa foudre) En poudre! En poudre, tous ces gens-là. (Au moment où Jupiter a saisi la foudre, violent coup da tonnerre, nuit complète. Pluton, John, huissiers, greffiers, juges, tout la monde se sauve. Le bureau de Pluton et les fauteuils disparaissant. Sur un fauteuil à gauche, dans un rayon de lumière, paraît Cupidon, Jupiter brandit sa foudre.) Ah! Ah! CUPIDON (riant et se carrant dans la fauteuil) Ah! ah! ah! ah! JUPITER (l apercevant) Tiens, Cupidon! CUPIDON Oh! Papa! Papa! tu me tais de la peine! JUPITER Qu est-ce qu il vient faire là ce méchant galopin? CUPIDON Il vient te sauver, ce méchant galopin! JUPITER Me sauver! CUPIDON Comment, tu cherches une femme et pour la retrouver, tu fais venir ces vieilles perruques? JUPITER Quoi, mon petit chéri, tu te chargerais… CUPIDON Il faut donc que je te la rende, ton Eurydice? JUPITER (avec élan) Oh! oui! CUPIDON (se lavant) Eh bien on va te la retrouver… A moi, ma police! A moi, les policemen de l Amour! (A peine Cupidon at-il dit cela que a paraissent de tous les côtés une vingtaine de petits agents de police de l Amour, bonnets phyrigiens, bâtons de policemen) N 21. Ronde des Policemen CHOEUR DES POLICEMEN Nez au vent oeil au guet, clairvoyant et discret, le limier de l amour doit veiller nuit et jour. Aussi fin qu un renard, très malin, peu bavard sachant tout découvrir et partout se blottir! À l amant au mari, apportant son appui, il surprend tous les jours plus de cent jolis tours. Nez au vent, etc. Doux aveux dans un coeur plein de feux et d ardeur demi-mots, tendre amour frais éclos plat du jour… Trahison, faux serments, abandon des amants, tout ceci sarpejeu, pour bibi n est qu un jeu. Nez au vent, etc. N 22. Récit et Couplets des Baisers CUPIDON Allons, mes fins limiers visitez et fouillez! Ce que de vous l on réclame c est de découvrir la femme! Cherchez bien, cherchez bien! JUPITER Ne voyez-vous rien ? LES POLICEMEN Rien! Rien! Nous ne voyons rien! CUPIDON Vous ne trouvez rien? JUPITER Vous ne trouvez rien? LES POLICEMEN Rien! Nous ne trouvons rien! CUPIDON Attendez, j ai mon moyen! JUPITER ET LES POLICEMEN Voyons, voyons ton moyen! CUPIDON Attendez, attendez! JUPITER, POLICEMEN Voyons, voyons le moyen. CUPIDON Pour attirer du fond de sa retraite une souris qui cache son museau non loin du nez de la petite bête, il faut semer quelque friand morceau. Je sais un autre stratagème qui doit faire de son réduit sortir une femme qu on aime ce stratagème, c est un bruit; mais il faut que ce joli bruit soit bien mignon et bien gentil! Ah! (imitant le bruit des baisers.) Allez-y, la petit bête va répondre au bruit, la petit bête va répondre au bruit! LE CHOEUR (imitent les baisers) Allez-y la petit bête, etc. CUPIDON Lorsque l on veut attirer l alouette, on fait briller un miroir à ses yeux et sans retard on b voit la coquette en voltigeant accourir à ses feux! Une femme, c est tout de même, par ses faiblesses on la séduit; tout ce qu elle veut, c est qu on l aime et c est t ainsi qu on le lui dit, mais il faut que cela soit dit d un air bien mignon bien gentil! Ah! etc. UN POLICEMAN (montrant la porte du fond) Elle est là! DEUXIÈME POLICEMAN Ce n est qu une serrure à faire sauter. JUPITER Halte là! Pas de bêtises! Nous n avons pas le droit, entre dieux de première classe, de nous faire sauter nos serrures. Par ruse, tout est permis, par violence, rien! CUPIDON Il faut donc, ô Papa, trouver un déguisement! PREMIER POLICEMAN Qui vous permettra de passer par le trou de la serrure. CUPIDON Laisse-moi faire, j ai ce qu il te faut! Je vais le métamorphoser séance tenante. Tu connais ça. JUPITER Me métamorphoser en quoi! CUPIDON Je veux que tu en aies la surprise. JUPITER La surprise! La surprise! J ai besoin d être joli, très joli, tu sais! CUPIDON Tu seras joli très joli! Attention au changement papa attention au changement! JUPITER (très inquiet) En quoi va-t-il me mettre, le petit malheureux! CUPIDON Une…deux…trois… (Le changement se fait. Jupiter paraît en mouche.) TOUS Une mouche! CUPIDON Comme çà. on passe partout! N 23. Petite Ronde du Bourdon CHOEUR DES POLICEMEN Le beau bourdon que voilà est-il joli comme çà! Bonne chance papa, passe, passe, passe là et la belle y restera. (Au moment ou le chœur se retire, Jupiter s est rapproche en sautillant de la porte du fond il prend plusieurs fois son élan et finit par piquer une tête dans le trou de la serrure qui s élargit peu à peu. Le fond du décor disparaît et laisse voir un délicieux boudoir. Eurydice est étendue sur un divan. Le meuble s avance jusqu au second plan.) JUPITER C est elle! Qu elle est belle! (Jupiter voltige autour d Eurydice en effleurant son épaule de droite et de gauche.) N 24 Duo de la Mouche EURYDICE Il m a semblé sur mon épaule sentir un doux frémissement!... JUPITER (à part) Il s agit de jouer mon rôle plus un mot! Car dès ce moment je n ai droit qu au bourdonnement! (Imitant b bourdonnement de la mouche) Zi! Zi! EURYDICE Ah! la belle mouche! Le joli frelon JUPITER Zi! Ma chanson la touche, chantons, chantons ma chanson! EURYDICE La belle mouche! JUPITER Ma chanson la touche, chantons ma chanson! EURYDICE Ah, la belle mouche! Le joli frelon! Bel insecte à l aile dorée veux-tu rester mon compagnon? JUPITER (imitent la mouche) Zi! EURYDICE Ces lieux dont du forças l entrée, hélas, me servent de prison. JUPITER Zi! EURYDICE Ne me quitte pas, je t en prie, reste, on prendra bien soin de toi! Ah! je t aimerai, mouche jolie, reste avec moi, reste avec moi! JUPITER Quand on veut se faire adorer il faut se laisser désirer… EURYDICE (courent à lui) Je la tiens par son aile d or! JUPITER Pas encore! Pas encore! EURYDICE Fi, la méchante, la méchante! JUPITER J ai pris des ailes, ma charmante, j ai bien le droit de m en servir! EURYDICE Elle ne cherche qu a me fuir! De cette gaze légère, sans l étouffer, je puis faire un filet à papillon. (Elle s approche sur la pointe des pieds.) JUPITER Attention! Attention! EURYDICE Ah! la voilà prise! plus de résistance! JUPITER La plus prise des deux n est pas celle qu on pense! EURYDICE Chante, chante! JUPITER Zi! ENSEMBLE Zi! Zi! EURYDICE Ah! je la tiens! Ah! c est charmant! JUPITER Ah! je la tiens! Ah! c est charmant! EURYDICE Ah, je savais bien que je t attraperais, mon joli bijou ailé! Mais voyez donc, qu elle est gracieuse! Quelles belles couleurs! Et quelle taille fine! (Jupiter fait des grâces. Elle embrasse.) JUPITER (tombant à genoux) Eh bien, tout cela est à toi, si tu le veux, mortelle adoré! EURYDICE Ah, grands dieux, elle parle! Au secours! JUPITER Tais-toi! J ai pris ce costume pour tromper les regards jaloux d un tyran qui ne veut que te torturer… EURYDICE Jupiter! Le roi des dieux! JUPITER Oui, c est moi. Ah! si je t avais connue plus tôt, Pluton ne t aurait pas enlevée. Je t aurais emmenée dans l Olympe. EURYDICE Voir! l Olympe et quitter cet affreux séjour! Oh! fuyons, emmène-moi! JUPITER Nous n avons qu un moyen pour ne pas éveiller les soupçons il faut que je retourne à la fête que me donne cet idiot de Pluton! Rejoins-m y! (Eurydice sort à gauche et Jupiter à droite Pluton entre tout bouleversé.) PLUTON Où est elle? La mouche? Où est la mouche? Ah I qu est-ce que c est que çà? N 25 Scène et Ballet des Mouches (Une foule de petits John Styx sort de dessous terre.) PLUTON Trahi, trahi par tout le monde! LES ENFANTS Si j étais roi de Béotie, tu serais reine sur ma foi! Je ne puis plus qu en effigie t offrir ma puissance de roi! La plus belle ombre ma chérie ne peut donner que ce qu elle a, accepte donc, je t en supplie, sous l enveloppe que voilà le coeur d un roi de Béotie, le coeur d un roi de Béotie! (Ils disparaissent dans une trappe) PLUTON (hors de lui) La mouche!... Qui me livrera la mouche! CUPIDON (paraissent à gauche) Tu veux la retrouver? Eh bien, attends! (Il étend la main le théâtre change et représente une serre merveilleuse. Parmi les buns sont groupées des mouches aux corsages dorées et aux aile étincelantes. Elles s élancent, entourent Pluton et l entraînent) Galop Offenbach,Jacques/Orpheé aux Enfers/IV
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memo source 1 /* Licensed to the Apache Software Foundation (ASF) under one or more 2 * contributor license agreements. See the NOTICE file distributed with 3 * this work for additional information regarding copyright ownership. 4 * The ASF licenses this file to You under the Apache License, Version 2.0 5 * (the "License"); you may not use this file except in compliance with 6 * the License. You may obtain a copy of the License at 7 * 8 * http //www.apache.org/licenses/LICENSE-2.0 9 * 10 * Unless required by applicable law or agreed to in writing, software 11 * distributed under the License is distributed on an "AS IS" BASIS, 12 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 13 * See the License for the specific language governing permissions and 14 * limitations under the License. 15 */ 16 17 #ifndef APACHE_HTTP_CONFIG_H 18 #define APACHE_HTTP_CONFIG_H 19 20 #include "apr_hooks.h" 21 #include "util_cfgtree.h" 22 23 #ifdef __cplusplus 24 extern "C" { 25 #endif 26 27 /** 28 * @file http_config.h 29 * @brief Apache Configuration 30 */ 31 32 /* 33 * The central data structures around here... 34 */ 35 36 /* Command dispatch structures... */ 37 38 /** 39 * How the directives arguments should be parsed. 40 * @remark Note that for all of these except RAW_ARGS, the config routine is 41 * passed a freshly allocated string which can be modified or stored 42 * or whatever... 43 */ 44 enum cmd_how { 45 RAW_ARGS, /** cmd_func parses command line itself */ 46 TAKE1, /** one argument only */ 47 TAKE2, /** two arguments only */ 48 ITERATE, /** one argument, occuring multiple times 49 * (e.g., IndexIgnore) 50 */ 51 ITERATE2, /** two arguments, 2nd occurs multiple times 52 * (e.g., AddIcon) 53 */ 54 FLAG, /** One of On or Off */ 55 NO_ARGS, /** No args at all, e.g. /Directory */ 56 TAKE12, /** one or two arguments */ 57 TAKE3, /** three arguments only */ 58 TAKE23, /** two or three arguments */ 59 TAKE123, /** one, two or three arguments */ 60 TAKE13 /** one or three arguments */ 61 }; 62 /** 63 * This structure is passed to a command which is being invoked, 64 * to carry a large variety of miscellaneous data which is all of 65 * use to *somebody*... 66 */ 67 typedef struct cmd_parms_struct cmd_parms; 68 69 #if defined(AP_HAVE_DESIGNATED_INITIALIZER) || defined(DOXYGEN) 70 71 /** 72 * All the types of functions that can be used in directives 73 * @internal 74 */ 75 typedef union { 76 /** function to call for a no-args */ 77 const char *(*no_args) (cmd_parms *parms, void *mconfig); 78 /** function to call for a raw-args */ 79 const char *(*raw_args) (cmd_parms *parms, void *mconfig, 80 const char *args); 81 /** function to call for a take1 */ 82 const char *(*take1) (cmd_parms *parms, void *mconfig, const char *w); 83 /** function to call for a take2 */ 84 const char *(*take2) (cmd_parms *parms, void *mconfig, const char *w, 85 const char *w2); 86 /** function to call for a take3 */ 87 const char *(*take3) (cmd_parms *parms, void *mconfig, const char *w, 88 const char *w2, const char *w3); 89 /** function to call for a flag */ 90 const char *(*flag) (cmd_parms *parms, void *mconfig, int on); 91 } cmd_func; 92 93 /** This configuration directive does not take any arguments */ 94 # define AP_NO_ARGS func.no_args 95 /** This configuration directive will handle it s own parsing of arguments*/ 96 # define AP_RAW_ARGS func.raw_args 97 /** This configuration directive takes 1 argument*/ 98 # define AP_TAKE1 func.take1 99 /** This configuration directive takes 2 arguments */ 100 # define AP_TAKE2 func.take2 101 /** This configuration directive takes 3 arguments */ 102 # define AP_TAKE3 func.take3 103 /** This configuration directive takes a flag (on/off) as a argument*/ 104 # define AP_FLAG func.flag 105 106 /** method of declaring a directive with no arguments */ 107 # define AP_INIT_NO_ARGS(directive, func, mconfig, where, help) \ 108 { directive, { .no_args=func }, mconfig, where, RAW_ARGS, help } 109 /** method of declaring a directive with raw argument parsing */ 110 # define AP_INIT_RAW_ARGS(directive, func, mconfig, where, help) \ 111 { directive, { .raw_args=func }, mconfig, where, RAW_ARGS, help } 112 /** method of declaring a directive which takes 1 argument */ 113 # define AP_INIT_TAKE1(directive, func, mconfig, where, help) \ 114 { directive, { .take1=func }, mconfig, where, TAKE1, help } 115 /** method of declaring a directive which takes multiple arguments */ 116 # define AP_INIT_ITERATE(directive, func, mconfig, where, help) \ 117 { directive, { .take1=func }, mconfig, where, ITERATE, help } 118 /** method of declaring a directive which takes 2 arguments */ 119 # define AP_INIT_TAKE2(directive, func, mconfig, where, help) \ 120 { directive, { .take2=func }, mconfig, where, TAKE2, help } 121 /** method of declaring a directive which takes 1 or 2 arguments */ 122 # define AP_INIT_TAKE12(directive, func, mconfig, where, help) \ 123 { directive, { .take2=func }, mconfig, where, TAKE12, help } 124 /** method of declaring a directive which takes multiple 2 arguments */ 125 # define AP_INIT_ITERATE2(directive, func, mconfig, where, help) \ 126 { directive, { .take2=func }, mconfig, where, ITERATE2, help } 127 /** method of declaring a directive which takes 1 or 3 arguments */ 128 # define AP_INIT_TAKE13(directive, func, mconfig, where, help) \ 129 { directive, { .take3=func }, mconfig, where, TAKE13, help } 130 /** method of declaring a directive which takes 2 or 3 arguments */ 131 # define AP_INIT_TAKE23(directive, func, mconfig, where, help) \ 132 { directive, { .take3=func }, mconfig, where, TAKE23, help } 133 /** method of declaring a directive which takes 1 to 3 arguments */ 134 # define AP_INIT_TAKE123(directive, func, mconfig, where, help) \ 135 { directive, { .take3=func }, mconfig, where, TAKE123, help } 136 /** method of declaring a directive which takes 3 arguments */ 137 # define AP_INIT_TAKE3(directive, func, mconfig, where, help) \ 138 { directive, { .take3=func }, mconfig, where, TAKE3, help } 139 /** method of declaring a directive which takes a flag (on/off) as a argument*/ 140 # define AP_INIT_FLAG(directive, func, mconfig, where, help) \ 141 { directive, { .flag=func }, mconfig, where, FLAG, help } 142 143 #else /* AP_HAVE_DESIGNATED_INITIALIZER */ 144 145 typedef const char *(*cmd_func) (); 146 147 # define AP_NO_ARGS func 148 # define AP_RAW_ARGS func 149 # define AP_TAKE1 func 150 # define AP_TAKE2 func 151 # define AP_TAKE3 func 152 # define AP_FLAG func 153 154 # define AP_INIT_NO_ARGS(directive, func, mconfig, where, help) \ 155 { directive, func, mconfig, where, RAW_ARGS, help } 156 # define AP_INIT_RAW_ARGS(directive, func, mconfig, where, help) \ 157 { directive, func, mconfig, where, RAW_ARGS, help } 158 # define AP_INIT_TAKE1(directive, func, mconfig, where, help) \ 159 { directive, func, mconfig, where, TAKE1, help } 160 # define AP_INIT_ITERATE(directive, func, mconfig, where, help) \ 161 { directive, func, mconfig, where, ITERATE, help } 162 # define AP_INIT_TAKE2(directive, func, mconfig, where, help) \ 163 { directive, func, mconfig, where, TAKE2, help } 164 # define AP_INIT_TAKE12(directive, func, mconfig, where, help) \ 165 { directive, func, mconfig, where, TAKE12, help } 166 # define AP_INIT_ITERATE2(directive, func, mconfig, where, help) \ 167 { directive, func, mconfig, where, ITERATE2, help } 168 # define AP_INIT_TAKE13(directive, func, mconfig, where, help) \ 169 { directive, func, mconfig, where, TAKE13, help } 170 # define AP_INIT_TAKE23(directive, func, mconfig, where, help) \ 171 { directive, func, mconfig, where, TAKE23, help } 172 # define AP_INIT_TAKE123(directive, func, mconfig, where, help) \ 173 { directive, func, mconfig, where, TAKE123, help } 174 # define AP_INIT_TAKE3(directive, func, mconfig, where, help) \ 175 { directive, func, mconfig, where, TAKE3, help } 176 # define AP_INIT_FLAG(directive, func, mconfig, where, help) \ 177 { directive, func, mconfig, where, FLAG, help } 178 179 #endif /* AP_HAVE_DESIGNATED_INITIALIZER */ 180 181 /** 182 * The command record structure. Each modules can define a table of these 183 * to define the directives it will implement. 184 */ 185 typedef struct command_struct command_rec; 186 struct command_struct { 187 /** Name of this command */ 188 const char *name; 189 /** The function to be called when this directive is parsed */ 190 cmd_func func; 191 /** Extra data, for functions which implement multiple commands... */ 192 void *cmd_data; 193 /** What overrides need to be allowed to enable this command. */ 194 int req_override; 195 /** What the command expects as arguments 196 * @defvar cmd_how args_how*/ 197 enum cmd_how args_how; 198 199 /** usage message, in case of syntax errors */ 200 const char *errmsg; 201 }; 202 203 /** 204 * @defgroup ConfigDirectives Allowed locations for configuration directives. 205 * 206 * The allowed locations for a configuration directive are the union of 207 * those indicated by each set bit in the req_override mask. 208 * 209 * @{ 210 */ 211 #define OR_NONE 0 /** *.conf is not available anywhere in this override */ 212 #define OR_LIMIT 1 /** *.conf inside Directory or Location 213 and .htaccess when AllowOverride Limit */ 214 #define OR_OPTIONS 2 /** *.conf anywhere 215 and .htaccess when AllowOverride Options */ 216 #define OR_FILEINFO 4 /** *.conf anywhere 217 and .htaccess when AllowOverride FileInfo */ 218 #define OR_AUTHCFG 8 /** *.conf inside Directory or Location 219 and .htaccess when AllowOverride AuthConfig */ 220 #define OR_INDEXES 16 /** *.conf anywhere 221 and .htaccess when AllowOverride Indexes */ 222 #define OR_UNSET 32 /** unset a directive (in Allow) */ 223 #define ACCESS_CONF 64 /** *.conf inside Directory or Location */ 224 #define RSRC_CONF 128 /** *.conf outside Directory or Location */ 225 #define EXEC_ON_READ 256 /** force directive to execute a command 226 which would modify the configuration (like including another 227 file, or IFModule */ 228 /** this directive can be placed anywhere */ 229 #define OR_ALL (OR_LIMIT|OR_OPTIONS|OR_FILEINFO|OR_AUTHCFG|OR_INDEXES) 230 231 /** @} */ 232 233 /** 234 * This can be returned by a function if they don t wish to handle 235 * a command. Make it something not likely someone will actually use 236 * as an error code. 237 */ 238 #define DECLINE_CMD "\a\b" 239 240 /** Common structure for reading of config files / passwd files etc. */ 241 typedef struct ap_configfile_t ap_configfile_t; 242 struct ap_configfile_t { 243 int (*getch) (void *param); /** a getc()-like function */ 244 void *(*getstr) (void *buf, size_t bufsiz, void *param); 245 /** a fgets()-like function */ 246 int (*close) (void *param); /** a close handler function */ 247 void *param; /** the argument passed to getch/getstr/close */ 248 const char *name; /** the filename / description */ 249 unsigned line_number; /** current line number, starting at 1 */ 250 }; 251 252 /** 253 * This structure is passed to a command which is being invoked, 254 * to carry a large variety of miscellaneous data which is all of 255 * use to *somebody*... 256 */ 257 struct cmd_parms_struct { 258 /** Argument to command from cmd_table */ 259 void *info; 260 /** Which allow-override bits are set */ 261 int override; 262 /** Which methods are Limit ed */ 263 apr_int64_t limited; 264 /** methods which are limited */ 265 apr_array_header_t *limited_xmethods; 266 /** methods which are xlimited */ 267 ap_method_list_t *xlimited; 268 269 /** Config file structure. */ 270 ap_configfile_t *config_file; 271 /** the directive specifying this command */ 272 ap_directive_t *directive; 273 274 /** Pool to allocate new storage in */ 275 apr_pool_t *pool; 276 /** Pool for scratch memory; persists during configuration, but 277 * wiped before the first request is served... */ 278 apr_pool_t *temp_pool; 279 /** Server_rec being configured for */ 280 server_rec *server; 281 /** If configuring for a directory, pathname of that directory. 282 * NOPE! That s what it meant previous to the existance of Files , 283 * Location and regex matching. Now the only usefulness that can be 284 * derived from this field is whether a command is being called in a 285 * server context (path == NULL) or being called in a dir context 286 * (path != NULL). */ 287 char *path; 288 /** configuration command */ 289 const command_rec *cmd; 290 291 /** per_dir_config vector passed to handle_command */ 292 struct ap_conf_vector_t *context; 293 /** directive with syntax error */ 294 const ap_directive_t *err_directive; 295 }; 296 297 /** 298 * Module structures. Just about everything is dispatched through 299 * these, directly or indirectly (through the command and handler 300 * tables). 301 */ 302 typedef struct module_struct module; 303 struct module_struct { 304 /** API version, *not* module version; check that module is 305 * compatible with this version of the server. 306 */ 307 int version; 308 /** API minor version. Provides API feature milestones. Not checked 309 * during module init */ 310 int minor_version; 311 /** Index to this modules structures in config vectors. */ 312 int module_index; 313 314 /** The name of the module s C file */ 315 const char *name; 316 /** The handle for the DSO. Internal use only */ 317 void *dynamic_load_handle; 318 319 /** A pointer to the next module in the list 320 * @defvar module_struct *next */ 321 struct module_struct *next; 322 323 /** Magic Cookie to identify a module structure; It s mainly 324 * important for the DSO facility (see also mod_so). */ 325 unsigned long magic; 326 327 /** Function to allow MPMs to re-write command line arguments. This 328 * hook is only available to MPMs. 329 * @param The process that the server is running in. 330 */ 331 void (*rewrite_args) (process_rec *process); 332 /** Function to allow all modules to create per directory configuration 333 * structures. 334 * @param p The pool to use for all allocations. 335 * @param dir The directory currently being processed. 336 * @return The per-directory structure created 337 */ 338 void *(*create_dir_config) (apr_pool_t *p, char *dir); 339 /** Function to allow all modules to merge the per directory configuration 340 * structures for two directories. 341 * @param p The pool to use for all allocations. 342 * @param base_conf The directory structure created for the parent directory. 343 * @param new_conf The directory structure currently being processed. 344 * @return The new per-directory structure created 345 */ 346 void *(*merge_dir_config) (apr_pool_t *p, void *base_conf, void *new_conf); 347 /** Function to allow all modules to create per server configuration 348 * structures. 349 * @param p The pool to use for all allocations. 350 * @param s The server currently being processed. 351 * @return The per-server structure created 352 */ 353 void *(*create_server_config) (apr_pool_t *p, server_rec *s); 354 /** Function to allow all modules to merge the per server configuration 355 * structures for two servers. 356 * @param p The pool to use for all allocations. 357 * @param base_conf The directory structure created for the parent directory. 358 * @param new_conf The directory structure currently being processed. 359 * @return The new per-directory structure created 360 */ 361 void *(*merge_server_config) (apr_pool_t *p, void *base_conf, 362 void *new_conf); 363 364 /** A command_rec table that describes all of the directives this module 365 * defines. */ 366 const command_rec *cmds; 367 368 /** A hook to allow modules to hook other points in the request processing. 369 * In this function, modules should call the ap_hook_*() functions to 370 * register an interest in a specific step in processing the current 371 * request. 372 * @param p the pool to use for all allocations 373 */ 374 void (*register_hooks) (apr_pool_t *p); 375 }; 376 377 /** 378 * @defgroup ModuleInit Module structure initializers 379 * 380 * Initializer for the first few module slots, which are only 381 * really set up once we start running. Note that the first two slots 382 * provide a version check; this should allow us to deal with changes to 383 * the API. The major number should reflect changes to the API handler table 384 * itself or removal of functionality. The minor number should reflect 385 * additions of functionality to the existing API. (the server can detect 386 * an old-format module, and either handle it back-compatibly, or at least 387 * signal an error). See src/include/ap_mmn.h for MMN version history. 388 * @{ 389 */ 390 391 /** The one used in Apache 1.3, which will deliberately cause an error */ 392 #define STANDARD_MODULE_STUFF this_module_needs_to_be_ported_to_apache_2_0 393 394 /** Use this in all standard modules */ 395 #define STANDARD20_MODULE_STUFF MODULE_MAGIC_NUMBER_MAJOR, \ 396 MODULE_MAGIC_NUMBER_MINOR, \ 397 -1, \ 398 __FILE__, \ 399 NULL, \ 400 NULL, \ 401 MODULE_MAGIC_COOKIE, \ 402 NULL /* rewrite args spot */ 403 404 /** Use this only in MPMs */ 405 #define MPM20_MODULE_STUFF MODULE_MAGIC_NUMBER_MAJOR, \ 406 MODULE_MAGIC_NUMBER_MINOR, \ 407 -1, \ 408 __FILE__, \ 409 NULL, \ 410 NULL, \ 411 MODULE_MAGIC_COOKIE 412 413 /** @} */ 414 415 /* CONFIGURATION VECTOR FUNCTIONS */ 416 417 /** configuration vector structure */ 418 typedef struct ap_conf_vector_t ap_conf_vector_t; 419 420 /** 421 * Generic accessors for other modules to get at their own module-specific 422 * data 423 * @param conf_vector The vector in which the modules configuration is stored. 424 * usually r- per_dir_config or s- module_config 425 * @param m The module to get the data for. 426 * @return The module-specific data 427 */ 428 AP_DECLARE(void *) ap_get_module_config(const ap_conf_vector_t *cv, 429 const module *m); 430 431 /** 432 * Generic accessors for other modules to set at their own module-specific 433 * data 434 * @param conf_vector The vector in which the modules configuration is stored. 435 * usually r- per_dir_config or s- module_config 436 * @param m The module to set the data for. 437 * @param val The module-specific data to set 438 */ 439 AP_DECLARE(void) ap_set_module_config(ap_conf_vector_t *cv, const module *m, 440 void *val); 441 442 #if !defined(AP_DEBUG) 443 444 #define ap_get_module_config(v,m) \ 445 (((void **)(v))[(m)- module_index]) 446 #define ap_set_module_config(v,m,val) \ 447 ((((void **)(v))[(m)- module_index]) = (val)) 448 449 #endif /* AP_DEBUG */ 450 451 452 /** 453 * Generic command handling function for strings 454 * @param cmd The command parameters for this directive 455 * @param struct_ptr pointer into a given type 456 * @param arg The argument to the directive 457 * @return An error string or NULL on success 458 */ 459 AP_DECLARE_NONSTD(const char *) ap_set_string_slot(cmd_parms *cmd, 460 void *struct_ptr, 461 const char *arg); 462 463 /** 464 * Generic command handling function for integers 465 * @param cmd The command parameters for this directive 466 * @param struct_ptr pointer into a given type 467 * @param arg The argument to the directive 468 * @return An error string or NULL on success 469 */ 470 AP_DECLARE_NONSTD(const char *) ap_set_int_slot(cmd_parms *cmd, 471 void *struct_ptr, 472 const char *arg); 473 474 /** 475 * Return true if the specified method is limited by being listed in 476 * a Limit container, or by *not* being listed in a LimiteExcept 477 * container. 478 * 479 * @param method Pointer to a string specifying the method to check. 480 * @param cmd Pointer to the cmd_parms structure passed to the 481 * directive handler. 482 * @return 0 if the method is not limited in the current scope 483 */ 484 AP_DECLARE(int) ap_method_is_limited(cmd_parms *cmd, const char *method); 485 486 /** 487 * Generic command handling function for strings, always sets the value 488 * to a lowercase string 489 * @param cmd The command parameters for this directive 490 * @param struct_ptr pointer into a given type 491 * @param arg The argument to the directive 492 * @return An error string or NULL on success 493 */ 494 AP_DECLARE_NONSTD(const char *) ap_set_string_slot_lower(cmd_parms *cmd, 495 void *struct_ptr, 496 const char *arg); 497 /** 498 * Generic command handling function for flags 499 * @param cmd The command parameters for this directive 500 * @param struct_ptr pointer into a given type 501 * @param arg The argument to the directive (either 1 or 0) 502 * @return An error string or NULL on success 503 */ 504 AP_DECLARE_NONSTD(const char *) ap_set_flag_slot(cmd_parms *cmd, 505 void *struct_ptr, 506 int arg); 507 /** 508 * Generic command handling function for files 509 * @param cmd The command parameters for this directive 510 * @param struct_ptr pointer into a given type 511 * @param arg The argument to the directive 512 * @return An error string or NULL on success 513 */ 514 AP_DECLARE_NONSTD(const char *) ap_set_file_slot(cmd_parms *cmd, 515 void *struct_ptr, 516 const char *arg); 517 /** 518 * Generic command handling function to respond with cmd- help as an error 519 * @param cmd The command parameters for this directive 520 * @param struct_ptr pointer into a given type 521 * @param arg The argument to the directive 522 * @return The cmd- help value as the error string 523 * @tip This allows simple declarations such as; 524 * pre 525 * AP_INIT_RAW_ARGS("Foo", ap_set_deprecated, NULL, OR_ALL, 526 * "The Foo directive is no longer supported, use Bar"), 527 * /pre 528 */ 529 AP_DECLARE_NONSTD(const char *) ap_set_deprecated(cmd_parms *cmd, 530 void *struct_ptr, 531 const char *arg); 532 /** 533 * For modules which need to read config files, open logs, etc. this returns 534 * the canonical form of fname made absolute to ap_server_root. 535 * @param p pool to allocate data from 536 * @param fname The file name 537 */ 538 AP_DECLARE(char *) ap_server_root_relative(apr_pool_t *p, const char *fname); 539 540 /* Finally, the hook for dynamically loading modules in... */ 541 542 /** 543 * Add a module to the server 544 * @param m The module structure of the module to add 545 * @param p The pool of the same lifetime as the module 546 */ 547 AP_DECLARE(void) ap_add_module(module *m, apr_pool_t *p); 548 549 /** 550 * Remove a module from the server. There are some caveats 551 * when the module is removed, its slot is lost so all the current 552 * per-dir and per-server configurations are invalid. So we should 553 * only ever call this function when you are invalidating almost 554 * all our current data. I.e. when doing a restart. 555 * @param m the module structure of the module to remove 556 */ 557 AP_DECLARE(void) ap_remove_module(module *m); 558 /** 559 * Add a module to the chained modules list and the list of loaded modules 560 * @param m The module structure of the module to add 561 * @param p The pool with the same lifetime as the module 562 */ 563 AP_DECLARE(void) ap_add_loaded_module(module *mod, apr_pool_t *p); 564 /** 565 * Remove a module fromthe chained modules list and the list of loaded modules 566 * @param m the module structure of the module to remove 567 */ 568 AP_DECLARE(void) ap_remove_loaded_module(module *mod); 569 /** 570 * Add a module to the list of loaded module based on the name of the 571 * module 572 * @param name The name of the module 573 * @param p The pool valid for the lifetime of the module 574 * @return 1 on success, 0 on failure 575 */ 576 AP_DECLARE(int) ap_add_named_module(const char *name, apr_pool_t *p); 577 /** 578 * Find the name of the specified module 579 * @param m The module to get the name for 580 * @return the name of the module 581 */ 582 AP_DECLARE(const char *) ap_find_module_name(module *m); 583 /** 584 * Find a module based on the name of the module 585 * @param name the name of the module 586 * @return the module structure if found, NULL otherwise 587 */ 588 AP_DECLARE(module *) ap_find_linked_module(const char *name); 589 590 /** 591 * Open a ap_configfile_t as apr_file_t 592 * @param ret_cfg open ap_configfile_t struct pointer 593 * @param p The pool to allocate the structure from 594 * @param name the name of the file to open 595 */ 596 AP_DECLARE(apr_status_t) ap_pcfg_openfile(ap_configfile_t **ret_cfg, 597 apr_pool_t *p, const char *name); 598 599 /** 600 * Allocate a ap_configfile_t handle with user defined functions and params 601 * @param p The pool to allocate from 602 * @param descr The name of the file 603 * @param param The argument passed to getch/getstr/close 604 * @param getc_func The getch function 605 * @param gets_func The getstr function 606 * @param close_func The close function 607 */ 608 AP_DECLARE(ap_configfile_t *) ap_pcfg_open_custom(apr_pool_t *p, 609 const char *descr, 610 void *param, 611 int(*getc_func)(void*), 612 void *(*gets_func) (void *buf, size_t bufsiz, void *param), 613 int(*close_func)(void *param)); 614 615 /** 616 * Read one line from open ap_configfile_t, strip LF, increase line number 617 * @param buf place to store the line read 618 * @param bufsize size of the buffer 619 * @param cfp File to read from 620 * @return 1 on success, 0 on failure 621 */ 622 AP_DECLARE(int) ap_cfg_getline(char *buf, size_t bufsize, ap_configfile_t *cfp); 623 624 /** 625 * Read one char from open configfile_t, increase line number upon LF 626 * @param cfp The file to read from 627 * @return the character read 628 */ 629 AP_DECLARE(int) ap_cfg_getc(ap_configfile_t *cfp); 630 631 /** 632 * Detach from open ap_configfile_t, calling the close handler 633 * @param cfp The file to close 634 * @return 1 on sucess, 0 on failure 635 */ 636 AP_DECLARE(int) ap_cfg_closefile(ap_configfile_t *cfp); 637 638 /** 639 * Read all data between the current foo and the matching /foo . All 640 * of this data is forgotten immediately. 641 * @param cmd The cmd_parms to pass to the directives inside the container 642 * @param directive The directive name to read until 643 * @return Error string on failure, NULL on success 644 */ 645 AP_DECLARE(const char *) ap_soak_end_container(cmd_parms *cmd, char *directive); 646 647 /** 648 * Read all data between the current foo and the matching /foo and build 649 * a config tree from it 650 * @param p pool to allocate from 651 * @param temp_pool Temporary pool to allocate from 652 * @param parms The cmd_parms to pass to all directives read 653 * @param current The current node in the tree 654 * @param curr_parent The current parent node 655 * @param orig_directive The directive to read until hit. 656 * @return Error string on failure, NULL on success 657 */ 658 AP_DECLARE(const char *) ap_build_cont_config(apr_pool_t *p, 659 apr_pool_t *temp_pool, 660 cmd_parms *parms, 661 ap_directive_t **current, 662 ap_directive_t **curr_parent, 663 char *orig_directive); 664 665 /** 666 * Build a config tree from a config file 667 * @param parms The cmd_parms to pass to all of the directives in the file 668 * @param conf_pool The pconf pool 669 * @param temp_pool The temporary pool 670 * @param conftree Place to store the root node of the config tree 671 * @return Error string on erro, NULL otherwise 672 */ 673 AP_DECLARE(const char *) ap_build_config(cmd_parms *parms, 674 apr_pool_t *conf_pool, 675 apr_pool_t *temp_pool, 676 ap_directive_t **conftree); 677 678 /** 679 * Walk a config tree and setup the server s internal structures 680 * @param conftree The config tree to walk 681 * @param parms The cmd_parms to pass to all functions 682 * @param section_vector The per-section config vector. 683 * @return Error string on error, NULL otherwise 684 */ 685 AP_DECLARE(const char *) ap_walk_config(ap_directive_t *conftree, 686 cmd_parms *parms, 687 ap_conf_vector_t *section_vector); 688 689 /** 690 * @defgroup ap_check_cmd_context ap_check_cmd_context 691 * @{ 692 */ 693 /** 694 * Check the context a command is used in. 695 * @param cmd The command to check 696 * @param forbidden Where the command is forbidden. 697 * @return Error string on error, NULL on success 698 */ 699 AP_DECLARE(const char *) ap_check_cmd_context(cmd_parms *cmd, 700 unsigned forbidden); 701 702 #define NOT_IN_VIRTUALHOST 0x01 /** Forbidden in Virtualhost */ 703 #define NOT_IN_LIMIT 0x02 /** Forbidden in Limit */ 704 #define NOT_IN_DIRECTORY 0x04 /** Forbidden in Directory */ 705 #define NOT_IN_LOCATION 0x08 /** Forbidden in Location */ 706 #define NOT_IN_FILES 0x10 /** Forbidden in Files */ 707 /** Forbidden in Directory / Location / Files */ 708 #define NOT_IN_DIR_LOC_FILE (NOT_IN_DIRECTORY|NOT_IN_LOCATION|NOT_IN_FILES) 709 /** Forbidden in VirtualHost / Limit / Directory / Location / Files */ 710 #define GLOBAL_ONLY (NOT_IN_VIRTUALHOST|NOT_IN_LIMIT|NOT_IN_DIR_LOC_FILE) 711 712 /** @} */ 713 714 #ifdef CORE_PRIVATE 715 716 /** 717 * The topmost module in the list 718 * @defvar module *ap_top_module 719 */ 720 AP_DECLARE_DATA extern module *ap_top_module; 721 722 /** 723 * Array of all statically linked modules 724 * @defvar module *ap_prelinked_modules[] 725 */ 726 AP_DECLARE_DATA extern module *ap_prelinked_modules[]; 727 /** 728 * Array of all preloaded modules 729 * @defvar module *ap_preloaded_modules[] 730 */ 731 AP_DECLARE_DATA extern module *ap_preloaded_modules[]; 732 /** 733 * Array of all loaded modules 734 * @defvar module **ap_loaded_modules 735 */ 736 AP_DECLARE_DATA extern module **ap_loaded_modules; 737 738 /* For mod_so.c... */ 739 /** Run a single module s two create_config hooks 740 * @param p the pool to allocate from 741 * @param s The server to configure for. 742 * @param m The module to configure 743 */ 744 AP_DECLARE(void) ap_single_module_configure(apr_pool_t *p, server_rec *s, 745 module *m); 746 747 /* For http_main.c... */ 748 /** 749 * Add all of the prelinked modules into the loaded module list 750 * @param process The process that is currently running the server 751 */ 752 AP_DECLARE(void) ap_setup_prelinked_modules(process_rec *process); 753 754 /** 755 * Show the preloaded configuration directives, the help string explaining 756 * the directive arguments, in what module they are handled, and in 757 * what parts of the configuration they are allowed. Used for httpd -h. 758 */ 759 AP_DECLARE(void) ap_show_directives(void); 760 761 /** 762 * Show the preloaded module names. Used for httpd -l. 763 */ 764 AP_DECLARE(void) ap_show_modules(void); 765 766 /** 767 * Show the MPM name. Used in reporting modules such as mod_info to 768 * provide extra information to the user 769 */ 770 AP_DECLARE(const char *) ap_show_mpm(void); 771 772 /** 773 * Read all config files and setup the server 774 * @param process The process running the server 775 * @param temp_pool A pool to allocate temporary data from. 776 * @param config_name The name of the config file 777 * @param conftree Place to store the root of the config tree 778 * @return The setup server_rec list. 779 */ 780 AP_DECLARE(server_rec *) ap_read_config(process_rec *process, 781 apr_pool_t *temp_pool, 782 const char *config_name, 783 ap_directive_t **conftree); 784 785 /** 786 * Run all rewrite args hooks for loaded modules 787 * @param process The process currently running the server 788 */ 789 AP_DECLARE(void) ap_run_rewrite_args(process_rec *process); 790 791 /** 792 * Run the register hooks function for a specified module 793 * @param m The module to run the register hooks function fo 794 * @param p The pool valid for the lifetime of the module 795 */ 796 AP_DECLARE(void) ap_register_hooks(module *m, apr_pool_t *p); 797 798 /** 799 * Setup all virtual hosts 800 * @param p The pool to allocate from 801 * @param main_server The head of the server_rec list 802 */ 803 AP_DECLARE(void) ap_fixup_virtual_hosts(apr_pool_t *p, 804 server_rec *main_server); 805 806 /* For http_request.c... */ 807 808 /** 809 * Setup the config vector for a request_rec 810 * @param p The pool to allocate the config vector from 811 * @return The config vector 812 */ 813 AP_CORE_DECLARE(ap_conf_vector_t*) ap_create_request_config(apr_pool_t *p); 814 815 /** 816 * Setup the config vector for per dir module configs 817 * @param p The pool to allocate the config vector from 818 * @return The config vector 819 */ 820 AP_CORE_DECLARE(ap_conf_vector_t *) ap_create_per_dir_config(apr_pool_t *p); 821 822 /** 823 * Run all of the modules merge per dir config functions 824 * @param p The pool to pass to the merge functions 825 * @param base The base directory config structure 826 * @param new_conf The new directory config structure 827 */ 828 AP_CORE_DECLARE(ap_conf_vector_t*) ap_merge_per_dir_configs(apr_pool_t *p, 829 ap_conf_vector_t *base, 830 ap_conf_vector_t *new_conf); 831 832 /* For http_connection.c... */ 833 /** 834 * Setup the config vector for a connection_rec 835 * @param p The pool to allocate the config vector from 836 * @return The config vector 837 */ 838 AP_CORE_DECLARE(ap_conf_vector_t*) ap_create_conn_config(apr_pool_t *p); 839 840 /* For http_core.c... ( Directory command and virtual hosts) */ 841 842 /** 843 * parse an htaccess file 844 * @param resulting htaccess_result 845 * @param r The request currently being served 846 * @param override Which overrides are active 847 * @param path The path to the htaccess file 848 * @param access_name The list of possible names for .htaccess files 849 * int The status of the current request 850 */ 851 AP_CORE_DECLARE(int) ap_parse_htaccess(ap_conf_vector_t **result, 852 request_rec *r, int override, 853 const char *path, 854 const char *access_name); 855 856 /** 857 * Setup a virtual host 858 * @param p The pool to allocate all memory from 859 * @param hostname The hostname of the virtual hsot 860 * @param main_server The main server for this Apache configuration 861 * @param ps Place to store the new server_rec 862 * return Error string on error, NULL on success 863 */ 864 AP_CORE_DECLARE(const char *) ap_init_virtual_host(apr_pool_t *p, 865 const char *hostname, 866 server_rec *main_server, 867 server_rec **); 868 869 /** 870 * Process the config file for Apache 871 * @param s The server rec to use for the command parms 872 * @param fname The name of the config file 873 * @param conftree The root node of the created config tree 874 * @param p Pool for general allocation 875 * @param ptem Pool for temporary allocation 876 */ 877 AP_DECLARE(void) ap_process_resource_config(server_rec *s, const char *fname, 878 ap_directive_t **conftree, 879 apr_pool_t *p, apr_pool_t *ptemp); 880 881 /** 882 * Process all directives in the config tree 883 * @param s The server rec to use in the command parms 884 * @param conftree The config tree to process 885 * @param p The pool for general allocation 886 * @param ptemp The pool for temporary allocations 887 */ 888 AP_DECLARE(void) ap_process_config_tree(server_rec *s, ap_directive_t *conftree, 889 apr_pool_t *p, apr_pool_t *ptemp); 890 891 /* Module-method dispatchers, also for http_request.c */ 892 /** 893 * Run the handler phase of each module until a module accepts the 894 * responsibility of serving the request 895 * @param r The current request 896 * @return The status of the current request 897 */ 898 AP_CORE_DECLARE(int) ap_invoke_handler(request_rec *r); 899 900 /* for mod_perl */ 901 902 /** 903 * Find a given directive in a command_rec table 904 * @param name The directive to search for 905 * @param cmds The table to search 906 * @return The directive definition of the specified directive 907 */ 908 AP_CORE_DECLARE(const command_rec *) ap_find_command(const char *name, 909 const command_rec *cmds); 910 911 /** 912 * Find a given directive in a list module 913 * @param cmd_name The directive to search for 914 * @param mod The module list to search 915 * @return The directive definition of the specified directive 916 */ 917 AP_CORE_DECLARE(const command_rec *) ap_find_command_in_modules(const char *cmd_name, 918 module **mod); 919 920 /** 921 * Ask a module to create per-server and per-section (dir/loc/file) configs 922 * (if it hasn t happened already). The results are stored in the server s 923 * config, and the specified per-section config vector. 924 * @param server The server to operate upon. 925 * @param section_vector The per-section config vector. 926 * @param section Which section to create a config for. 927 * @param mod The module which is defining the config data. 928 * @param pconf A pool for all configuration allocations. 929 * @return The (new) per-section config data. 930 */ 931 AP_CORE_DECLARE(void *) ap_set_config_vectors(server_rec *server, 932 ap_conf_vector_t *section_vector, 933 const char *section, 934 module *mod, apr_pool_t *pconf); 935 936 #endif 937 938 /* Hooks */ 939 940 /** 941 * Run the header parser functions for each module 942 * @param r The current request 943 * @return OK or DECLINED 944 */ 945 AP_DECLARE_HOOK(int,header_parser,(request_rec *r)) 946 947 /** 948 * Run the pre_config function for each module 949 * @param pconf The config pool 950 * @param plog The logging streams pool 951 * @param ptemp The temporary pool 952 * @return OK or DECLINED on success anything else is a error 953 */ 954 AP_DECLARE_HOOK(int,pre_config,(apr_pool_t *pconf,apr_pool_t *plog, 955 apr_pool_t *ptemp)) 956 957 958 /** 959 * Run the post_config function for each module 960 * @param pconf The config pool 961 * @param plog The logging streams pool 962 * @param ptemp The temporary pool 963 * @param s The list of server_recs 964 * @return OK or DECLINED on success anything else is a error 965 */ 966 AP_DECLARE_HOOK(int,post_config,(apr_pool_t *pconf,apr_pool_t *plog, 967 apr_pool_t *ptemp,server_rec *s)) 968 969 /** 970 * Run the open_logs functions for each module 971 * @param pconf The config pool 972 * @param plog The logging streams pool 973 * @param ptemp The temporary pool 974 * @param s The list of server_recs 975 * @return OK or DECLINED on success anything else is a error 976 */ 977 AP_DECLARE_HOOK(int,open_logs,(apr_pool_t *pconf,apr_pool_t *plog, 978 apr_pool_t *ptemp,server_rec *s)) 979 980 /** 981 * Run the child_init functions for each module 982 * @param pchild The child pool 983 * @param s The list of server_recs in this server 984 */ 985 AP_DECLARE_HOOK(void,child_init,(apr_pool_t *pchild, server_rec *s)) 986 987 /** 988 * Run the handler functions for each module 989 * @param r The request_rec 990 * @remark non-wildcard handlers should HOOK_MIDDLE, wildcard HOOK_LAST 991 */ 992 AP_DECLARE_HOOK(int,handler,(request_rec *r)) 993 994 /** 995 * Run the quick handler functions for each module. The quick_handler 996 * is run before any other requests hooks are called (location_walk, 997 * directory_walk, access checking, et. al.). This hook was added 998 * to provide a quick way to serve content from a URI keyed cache. 999 * 1000 * @param r The request_rec 1001 * @param lookup_uri Controls whether the caller actually wants content or not. 1002 * lookup is set when the quick_handler is called out of 1003 * ap_sub_req_lookup_uri() 1004 */ 1005 AP_DECLARE_HOOK(int,quick_handler,(request_rec *r, int lookup_uri)) 1006 1007 /** 1008 * Retrieve the optional functions for each module. 1009 * This is run immediately before the server starts. Optional functions should 1010 * be registered during the hook registration phase. 1011 */ 1012 AP_DECLARE_HOOK(void,optional_fn_retrieve,(void)) 1013 1014 #ifdef __cplusplus 1015 } 1016 #endif 1017 1018 #endif /* !APACHE_HTTP_CONFIG_H */